"synopsis" may belong to another edition of this title.
Entries, arranged alphabetically, vary in length from one or two lines (Orchestral score; Rite of Spring, The) to several pages (Copyright; Form; Handel, George Frideric; Pianoforte). Biographies (of composers, artists, etc.), instruments, well-known works, countries, societies, musical terms and types, and sociocultural aspects (Music on the Internet, Politics and music) are all covered. Nine major multipage essays on topics such as "The Baroque Era" and "Opera" are printed on a light gray background and arranged in sections. Some are new; some are repeats from the New Oxford with necessary revisions. Some entries show the British origin of the work, such as Eighth- note, defined as the American term for quaver. Tables and examples of notation are added where needed, but the photographs, portraits, and reproductions of paintings and scores found in the New Oxford have been omitted. The writing is accessible to a wide range of users, from students and professional musicians to the general reader and listener.
Libraries that own Baker's Dictionary of Music (Schirmer, 1997), which is somewhat similar in scope and size, will want to purchase this as well, because each title has many unique entries. In general, although Baker's has more references to popular music, Oxford includes more scholarly and technical detail as well as bibliographic references that have been expanded from other editions. This will be a standard purchase for smaller libraries that want to update the classical music section with a reasonably priced, one-volume work. RBB
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