Written in a lucid, non-technical style, the book starts with the story of how the English language changed throughout the sixteenth century. Subsequent chapters define Shakespeare's main artistic tools and illustrate their poetic and theatrical contributions: Renaissance rhetoric, imagery and metaphor, blank verse, prose speech, and wordplay. The conclusion surveys Shakespeare's multiple and often conflicting ideas about language, encompassing both his enthusiasm at what words can do for us and his suspicion of what words can do to us.
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Russ McDonald is at University of North Carolina at Greensboro.
"Shakespeare and the Arts of Language has its own challenges: how to write about Shakespeare's language in ways that don't seem either pedestrian or pretentious? McDonald's keen ear and shrewd eye for the specificity of wordplay, for the social relations embedded in spoken language, for figure and meter, for the power of prose, and indeed for the limits of language in the physical forms of theater are, however, more than up to the challenge."--Studies in English Literature 1500-1900
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