What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.
This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.
Very Short Introductions: Brilliant, Sharp, Inspiring
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
"synopsis" may belong to another edition of this title.
Andrew Kahn, Professor of Russian Literature, University of Oxford
Andrew Kahn is a Professor of Russian Literature at the University of Oxford. His publications include books on Alexander Pushkin and Osip Mandelstam. He has edited a number of books for Oxford World's Classics series, including Lermontov, A Hero of Our Time (2013); Alexander Pushkin, The Queen of Spades and Other Stories (2009); and Leo Tolstoy, The Death of Ivan Ilyich and Other Stories (2015). He is also a Fellow of the British Academy.
"About this title" may belong to another edition of this title.
Seller: Orion Tech, Kingwood, TX, U.S.A.
Paperback. Condition: Fair. Seller Inventory # 0198754639-4-33140269
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0198754639-8-1
Seller: HPB Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_469425917
Seller: AwesomeBooks, Wallingford, United Kingdom
paperback. Condition: Very Good. The Short Story: A Very Short Introduction (Very Short Introductions) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Seller Inventory # 7719-9780198754633
Quantity: 2 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 42627549-n
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Seller Inventory # OTF-S-9780198754633
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Very Good. Cover and edges may have some wear. Seller Inventory # mon0004006221
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 42627549
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780198754633
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.Very Short Introductions: Brilliant, Sharp, InspiringABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Seller Inventory # LU-9780198754633
Quantity: 1 available