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Impossible Desire and the Limits of Knowledge in Renaissance Poetry - Hardcover

 
9780198837510: Impossible Desire and the Limits of Knowledge in Renaissance Poetry

Synopsis

Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and--quite stunningly given the Reformation context--humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.

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About the Author


Wendy Beth Hyman, Oberlin College

Wendy Beth Hyman is Associate Professor of English and Comparative Literature at Oberlin College. She received her MA and PhD from Harvard University, and her BA at Smith College. Professor Hyman is the editor of The Automaton in English Renaissance Literature, and, with Hillary Eklund, co-editor of Teaching Social Justice Through Shakespeare. She has published on early modern mechanical birds, Spenser's Faerie Queene, the influence of literary insects on early microscopy, physics and metaphysics in early modern lyric, jacquemarts and Jack Falstaff, Nashe's Unfortunate Traveller, metaphoricity and science, and the pedagogy of book history.

Review


"Hyman's work is a welcome addition to the growing body of criticism which acknowledges poetry's complex and inimical relationship with epistemological concerns, changing discourses of knowledge, and the limitations thereof. That Hyman finds these anxieties focused in a particularly misogynistic genre adds an additional layer of thought which interrogates the relationship of the feminine figure of Knowledge within these debates. Ultimately, the male poet is left at a crossroads of unfulfillment and uncertainty." -- Rachel White, Newcastle University, Renaissance Studies


"This book will establish Wendy Beth Hyman as one of the principal critics of early modern secular lyrics. Her impressively original arguments advance our understanding of literature and science, materiality, and literary form, among many other cutting-edge issues. Impossible Desire will be of interest not only to students of early modern poetry but also to academics engaged with literature of other periods and with other disciplines, notably the visual arts." -- Heather Dubrow, Fordham University


"Impossible Desire reveals the startling philosophical seriousness of erotic carpe diem poetry. Though such verses are ostensibly designed to seduce reluctant virgins, we learn here that their flirtatiousness belies confrontational and even sacrilegious forays into metaphysical debates. Far from conventional, then, these licentious verses house skeptical philosophical experiments that posit the improbability of life after death and postulate a non-Christian cosmos. Hyman thus shows that if we want to find "impossible" thoughts in the Renaissance, we need look no further than these audacious provocations to "seize the day." Learned and gorgeously written, this book shows how Renaissance seduction poetry stalks the limits of human understanding." -- Jenny C. Mann, Cornell University


"This book compels us to revise received understandings of carpe diem lyrics as predictably insouciant confections. Hyman shows that this poetry's ambition is to make possible the expression of unthinkable postulations about matter and religion, gender, and epistemology. As elegant and witty as it is smart and innovative, Impossible Desire situates erotic expression at the center of intellectual history." -- Melissa Sanchez, University of Pennsylvania


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  • PublisherOxford University Press
  • Publication date2019
  • ISBN 10 0198837518
  • ISBN 13 9780198837510
  • BindingHardcover
  • LanguageEnglish
  • Number of pages216

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Hardcover. Condition: new. Hardcover. Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and--quite stunningly given the Reformation context--humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vastEternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle forarticulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it tograpple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively alyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form. Wendy Beth Hyman examines the limits of embodiment, knowledge, and representation in the erotic carpe diem poem in early modern England. These macabre seductions focused on the lovers' anticipated decline, investigated the nature of matter, time, and poetic representation, and became a vehicle for articulating religious doubt. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780198837510

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