In this study of poetic form in early Greek elegy, Christopher A. Faraone argues against the prevailing assumption that it was a genre of stichic poetry derived from or dependent on epic verse. Faraone emphasizes the fact that early elegiac poets composed their songs to the tune of an aulos (a kind of oboe) and used a five-couplet stanza as a basic unit of composition. He points out how knowledge of the elegiac stanza can give us insight into how these poets alternated between stanzas of exhortation and meditation, used co-ordinated pairs of stanzas to construct lengthy arguments about excellence or proper human government, and created generic set pieces that they could deploy in longer compositions. Faraone's close analysis of nearly all the important elegiac fragments will greatly enhance understanding and appreciation of this poetic genre.
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Christopher A. Faraone is The Springer Professor of Classics and the Humanities, University of Chicago.
"[B]uilding on nineteenth-century scholarship, Faraone gives us a modern reading of these archaic poems. Anyone interested in archaic Greece on in poetic performance will this book with profit."--Anne Mahoney, The Classical Outlook
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Hardcover. Condition: new. Hardcover. In this study of poetic form in early Greek elegy, Christopher A. Faraone argues against the prevailing assumption that it was a genre of stichic poetry derived from or dependent on epic verse. Faraone emphasizes the fact that early elegiac poets composed their songs to the tune of an aulos (a kind of oboe) and used a five-couplet stanza as a basic unit of composition. He points out how knowledge of the elegiac stanza can give us insight into how thesepoets alternated between stanzas of exhortation and meditation, used co-ordinated pairs of stanzas to construct lengthy arguments about excellence or proper human government, and created generic set pieces thatthey could deploy in longer compositions. Faraone's close analysis of nearly all the important elegiac fragments will greatly enhance understanding and appreciation of this poetic genre. A study of poetic form in early Greek elegy. Christopher A. Faraone draws on analogies from Italian and English song and poetry of the Renaissance. All Greek is translated and all technical terms explained. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780199236985
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