The English Romance in Time is a study of English romance across the Middle Ages and the Renaissance. It explores romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the twelfth century down to the early seventeenth. This is a continuous story, since the same romances that constituted the largest and most sophisticated body of secular fiction in the Middle Ages went on to enjoy a new and vibrant popularity at all social levels in black-letter prints as the pulp fiction of the Tudor age. This embedded culture was reworked for political and Reformation propaganda and for the 'writing of England', as well as providing a generous reservoir of good stories and dramatic plots. The different ways in which the same texts were read over several centuries, or the same motifs shifted meaning as understanding and usage altered, provide a revealing and sensitive measure of historical and cultural change. The book accordingly looks at those processes of change as well as at how the motifs themselves work, to offer a historical semantics of the language of romance conventions. It also looks at how politics and romance intersect - the point where romance comes true.
The historicizing of the study of literature is belatedly leading to a wider recognition that the early modern world is built on medieval foundations. This book explores both the foundations and the building. Similarly, generic theory, which previously tended to operate on transhistorical assumptions, is now acknowledging that genre interacts crucially with cultural context - with changing audiences and ideologies and means of dissemination. The generation into which Spenser and Shakespeare were born was the last to be brought up on a wide range of medieval romances in their original forms, and they could therefore exploit their generic codings in new texts aimed at both elite and popular audiences. Romance may since then have lost much of its cultural centrality, but the universal appeal of these same stories has continued to fuel later works from Bunyan's Pilgrim's Progress to C.S. Lewis and Tolkien.
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Helen Cooper is a Professor of English Literature at University College, Oxford..
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Black hardcover with bright gilt lettering and trim on spine, top of spine slightly bumped. Dust jacket shows slight creasing and scuffing. Binding tight, pages white and clean, previous owner indication on inside front cover is the only marking. 542 pages. Packaged carefully for shipment in cardboard with U. S. tracking. Oversized or heavy books may require extra postage for priority or overseas shipment. Seller Inventory # 017086
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. BOUND IN CLEAN BLACK CLOTH WITH BRIGHT GILT TITLES TO SPINE, THIS DATED 2004 HARDCOVER FIRST EDITION IS VG IN VG JACKET(UNCLIPPED). X111/542pp WITH PREFACE, INTRODUCTION, QUEST AND PILGRIMAGE, PROVIDENCE AND THE SEA, MAGIC THAT DOESN'T WORK, FAIRY MONARCHS, FAIRY MISTRESSES, DESIRABLE DESIRE, WOMEN ON TRIAL, RESTORING RIGHTFUL HEIR, UNHAPPY ENDINGS, APPENDIX ON MEDIEVAL ROMANCE AFTER 1500, NOTES, BIBLIOGRAPHY AND INDEX. TWO SMALL STAINS TO BLANK FFEP, AND INDISTINCT STAIN TO FORE-EDGE, NOT AFFECTING PAGE FACES. NICE TIGHT TEXT BLOCK, OTHERWISE VG/VG. Seller Inventory # 002200814
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Hardcover. Condition: Good. Dust jacket is fully intact, only lightly rubbed at edges. Library bookplate on front free endpaper; no other library markings. Clean and unmarked contents mostly. Sound and serviceable overall. Publisher's note: Annotation The English Romance in Timeis a study of English romance across the Middle Ages and the Renaissance. It explores romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the twelfth century down to the early seventeenth. This is a continuous story, since the same romances that constituted the largest and most sophisticated body of secular fiction in the Middle Ages went on to enjoy a new and vibrant popularity at all social levels in black-letter prints as the pulp fiction of the Tudor age. This embedded culture was reworked for political and Reformation propaganda and for the 'writing of England', as well as providing a generous reservoir of good stories and dramatic plots. The different ways in which the same texts were read over several centuries, or the same motifs shifted meaning as understanding and usage altered, provide a revealing and sensitive measure of historical and cultural change. The book accordingly looks at those processes of change as well as at how the motifs themselves work, to offer a historical semantics of the language of romance conventions. It also looks at how politics and romance intersect - the point where romance comes true. The historicizing of the study of literature is belatedly leading to a wider recognition that the early modern world is built on medieval foundations. This book explores both the foundations and the building. Similarly, generic theory, which previously tended to operate on transhistorical assumptions, is now acknowledging that genre interacts crucially with cultural context - with changing audiences and ideologies and means of dissemination. The generation into which Spenser and Shakespeare were born was the last to be brought up on a wide range of medieval romances in their original forms, and they could therefore exploit their generic codings in new texts aimed at both elite and popular audiences. Romance may since then have lost much of its cultural centrality, but the universal appeal of these same stories has continued to fuel later works from Bunyan'sPilgrim's Progressto C.S. Lewis and Tolkien. Size: 22.4 x 14.7 x 3.6 cm. 560 pp. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Romances, English -- Themes, motives; English literature -- Middle English, 1100-1500 -- History and criticism; English literature -- Early modern, 1500-1700 -- History and criticism; ISBN: 0199248869. ISBN/EAN: 9780199248865. Add. Inventory No: 241010SHY0243932. Seller Inventory # 241010SHY0243932
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The great story motifs of romance - quests and magic, rudderless boats and passionate heroines, missing heirs and fairy mistresses - were transmitted directly through from the Middle Ages to the age of print in an abundance of editions. This work sets out t. Seller Inventory # 594421506
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