Based on new research, a distinguished international team studies the forms in which scientific knowledge was transmitted in the late medieval and early modern period, the ways they interacted, and the people to whom the knowledge was directed. Among the famous authors whose work is examined here are Fuchs, Vesalius, Tycho Brahe, and Descartes.
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Ian Maclean is a graduate of Oxford, where he also did his doctorate; he was for twenty-four years a Fellow and Praelector in French at Queen's College Oxford, and Lecturer then Reader in Modern Languages in the University of Oxford. He became a titular professor in Renaissance Studies in the University, before moving to All Souls as a Senior Research Fellow in History in 1996. He has held visiting fellowships in Australia, USA, Canada, France, the Netherlands and Germany. He is a Fellow of the British Academy, a Fellow of the Royal Historical Society, a Chevalier des arts et des lettres (France), and a member of the Academia Europaea.
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Hardcover. Condition: new. Hardcover. The period between the fifteenth and the middle of the seventeenth centuries saw a great many changes and innovations in scientific thinking. These were communicated to various publics in diverse ways; not only through discursive prose and formal notations, but also in the form of instruments and images accompanying texts. The collected essays of this volume examine the modes of transmission of this knowledge in a variety of contexts. The schematic representationof instruments is examined in the case of the 'navicula' (a versatile version of a sundial) and the 'squadro' (a surveying instrument); the new forms of illustration of plants and the human body areinvestigated through the work of Fuchs and Vesalius; theories of optics and of matter are discussed in relation to the illustrations which accompany the texts of Ausonio and Descartes. The different diagrammatic strategies adopted to explain the complex medical theory of the latitude of health are charted through the work of medieval and sixteenth-century physicians; Kepler's use of illustration in his handbook of cosmology is placed in the context of book production and Copernicanpropaganda. The conception of astronomical instruments as either calculating devices or as cosmological models is examined in the case of Tycho Brahe and others. A study is devoted to the multiple functions offrontispieces and to the various readerships for which they were conceived. The papers in the volume are all based on new research, and they constitute together a coherent and convergent set of case studies which demonstrate the vitality and inventiveness of early modern natural philosophers, and their awareness of the media available to them for transmitting knowledge. Based on new research, a distinguished international team studies the forms in which scientific knowledge was transmitted in the late medieval and early modern period, the ways they interacted, and the people to whom the knowledge was directed. Among the famous authors whose work is examined here are Fuchs, Vesalius, Tycho Brahe, and Descartes. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780199288786
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Hardcover. Condition: new. Hardcover. The period between the fifteenth and the middle of the seventeenth centuries saw a great many changes and innovations in scientific thinking. These were communicated to various publics in diverse ways; not only through discursive prose and formal notations, but also in the form of instruments and images accompanying texts. The collected essays of this volume examine the modes of transmission of this knowledge in a variety of contexts. The schematic representationof instruments is examined in the case of the 'navicula' (a versatile version of a sundial) and the 'squadro' (a surveying instrument); the new forms of illustration of plants and the human body areinvestigated through the work of Fuchs and Vesalius; theories of optics and of matter are discussed in relation to the illustrations which accompany the texts of Ausonio and Descartes. The different diagrammatic strategies adopted to explain the complex medical theory of the latitude of health are charted through the work of medieval and sixteenth-century physicians; Kepler's use of illustration in his handbook of cosmology is placed in the context of book production and Copernicanpropaganda. The conception of astronomical instruments as either calculating devices or as cosmological models is examined in the case of Tycho Brahe and others. A study is devoted to the multiple functions offrontispieces and to the various readerships for which they were conceived. The papers in the volume are all based on new research, and they constitute together a coherent and convergent set of case studies which demonstrate the vitality and inventiveness of early modern natural philosophers, and their awareness of the media available to them for transmitting knowledge. Based on new research, a distinguished international team studies the forms in which scientific knowledge was transmitted in the late medieval and early modern period, the ways they interacted, and the people to whom the knowledge was directed. Among the famous authors whose work is examined here are Fuchs, Vesalius, Tycho Brahe, and Descartes. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780199288786
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