In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
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Nicholas Round is Hughes Professor of Hispanic Studies at the University of Sheffield. His published and performed translations of Spanish and Portuguese theatre range from the 17th-century comedia to the 1950s.
John Edmunds founded the Department of Theatre, Film, and Television Studies at the University College of Wales, Aberystwyth, and was Director from 1973 to 1985. Four of his translations of plays by Racine and Moliere have been broadcast on BBC Radio Three. He performs in `spoken word' recital
programmes.
Text: English (translation)
Original Language: Spanish
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