'Tinkers': Synge and the Cultural History of the Irish Traveller

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9780199566464: 'Tinkers': Synge and the Cultural History of the Irish Traveller

The history of Irish Travellers is not analogous to that of the 'tinker', a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland. By the Revival, the tinker represented bohemian, pre-Celtic aboriginality, functioning as the cultural nationalist counter to the Victorian Gypsy mania. Long misunderstood as a portrayal of actual Travellers, J.M. Synge's influential The Tinker's Wedding was pivotal to this 'Irishing' of the tinker, even as it acknowledged that figure's cosmopolitan textual roots. Synge's empathetic depiction is closely examined, as are the many subsequent representations that looked to him as a model to subvert or emulate. In contrast to their Revival-era romanticization, post-independence writing portrayed tinkers as alien interlopers, while contemporaneous Unionists labeled them a contaminant from the hostile South. However, after Travellers politicized in the 1960s, more even-handed depictions heralded a querying of the 'tinker' fantasy that has shaped contemporary screen and literary representations of Travellers and has prompted Traveller writers to transubstantiate Otherness into the empowering rhetoric of ethnic difference. Though its Irish equivalent has oscillated between idealization and demonization, US racial history facilitates the cinematic figuring of the Irish-American Traveler as lovable 'white trash' rogue. This process is informed by the mythology of a population with whom Travelers are allied in the white American imagination, the Scots-Irish (Ulster-Scots). In short, the 'tinker' is much more central to Irish, Northern Irish and even Irish-American identity than is currently recognised.

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About the Author:


Mary Burke is a graduate of Trinity College Dublin and Queen's University Belfast, and was the National Endowment for the Humanities (NEH) Keough-Naughton Fellow at the Keough-Naughton Institute for Irish Studies at the University of Notre Dame in 2003-04. She joined the University of Connecticut as an Assistant Professor of English in 2004, where she teaches twentieth-century Irish literature and directs the Irish Literature Concentration.

Review:


"Thumbs up."--Times Higher Education


"Marries together analytical depth and historical breadth...[A] fine book." --Irish Literary Supplement


"Very readable...Pays welcome attention to texts by writers too often neglected in studies of Irish literature." --Irish Studies Review


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Book Description Oxford University Press, United Kingdom, 2009. Hardback. Book Condition: New. New.. Language: English . Brand New Book ***** Print on Demand *****. The history of Irish Travellers is not analogous to that of the tinker , a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland. By the Revival, the tinker represented bohemian, pre-Celtic aboriginality, functioning as the cultural nationalist counter to the Victorian Gypsy mania. Long misunderstood as a portrayal of actual Travellers, J.M. Synge s influential The Tinker s Wedding was pivotal to this Irishing of the tinker, even as it acknowledged that figure s cosmopolitan textual roots. Synge s empathetic depiction is closely examined, as are the many subsequent representations that looked to him as a model to subvert or emulate. In contrast to their Revival-era romanticization, post-independence writing portrayed tinkers as alien interlopers, while contemporaneous Unionists labelled them a contaminant from the hostile South. However, after Travellers politicized in the 1960s, more even-handed depictions heralded a querying of the tinker fantasy that has shaped contemporary screen and literary representations of Travellers and has prompted Traveller writers to transubstantiate Otherness into the empowering rhetoric of ethnic difference. Though its Irish equivalent has oscillated between idealization and demonization, US racial history facilitates the cinematic figuring of the Irish-American Traveler as lovable white trash rogue. This process is informed by the mythology of a population with whom Travelers are allied in the white American imagination, the Scots-Irish (Ulster-Scots). In short, the tinker is much more central to Irish, Northern Irish and even Irish-American identity than is currently recognised. Bookseller Inventory # APC9780199566464

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Book Description Oxford University Press, United Kingdom, 2009. Hardback. Book Condition: New. New.. Language: English . Brand New Book ***** Print on Demand *****.The history of Irish Travellers is not analogous to that of the tinker , a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland. By the Revival, the tinker represented bohemian, pre-Celtic aboriginality, functioning as the cultural nationalist counter to the Victorian Gypsy mania. Long misunderstood as a portrayal of actual Travellers, J.M. Synge s influential The Tinker s Wedding was pivotal to this Irishing of the tinker, even as it acknowledged that figure s cosmopolitan textual roots. Synge s empathetic depiction is closely examined, as are the many subsequent representations that looked to him as a model to subvert or emulate. In contrast to their Revival-era romanticization, post-independence writing portrayed tinkers as alien interlopers, while contemporaneous Unionists labelled them a contaminant from the hostile South. However, after Travellers politicized in the 1960s, more even-handed depictions heralded a querying of the tinker fantasy that has shaped contemporary screen and literary representations of Travellers and has prompted Traveller writers to transubstantiate Otherness into the empowering rhetoric of ethnic difference. Though its Irish equivalent has oscillated between idealization and demonization, US racial history facilitates the cinematic figuring of the Irish-American Traveler as lovable white trash rogue. This process is informed by the mythology of a population with whom Travelers are allied in the white American imagination, the Scots-Irish (Ulster-Scots). In short, the tinker is much more central to Irish, Northern Irish and even Irish-American identity than is currently recognised. Bookseller Inventory # APC9780199566464

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Book Description Oxford University Press. Hardcover. Book Condition: New. 256 pages. Dimensions: 8.8in. x 5.9in. x 1.3in.The history of Irish Travellers is not analogous to that of the tinker, a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland. By the Revival, the tinker represented bohemian, pre-Celtic aboriginality, functioning as the cultural nationalist counter to the Victorian Gypsy mania. Long misunderstood as a portrayal of actual Travellers, J. M. Synges influential The Tinkers Wedding was pivotal to this Irishing of the tinker, even as it acknowledged that figures cosmopolitan textual roots. Synges empathetic depiction is closely examined, as are the many subsequent representations that looked to him as a model to subvert or emulate. In contrast to their Revival-era romanticization, post-independence writing portrayed tinkers as alien interlopers, while contemporaneous Unionists labeled them a contaminant from the hostile South. However, after Travellers politicized in the 1960s, more even-handed depictions heralded a querying of the tinker fantasy that has shaped contemporary screen and literary representations of Travellers and has prompted Traveller writers to transubstantiate Otherness into the empowering rhetoric of ethnic difference. Though its Irish equivalent has oscillated between idealization and demonization, US racial history facilitates the cinematic figuring of the Irish-American Traveler as lovable white trash rogue. This process is informed by the mythology of a population with whom Travelers are allied in the white American imagination, the Scots-Irish (Ulster-Scots). In short, the tinker is much more central to Irish, Northern Irish and even Irish-American identity than is currently recognised. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Bookseller Inventory # 9780199566464

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