The Origins of Music was first published in German in 1911. In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. He was the founding father of Gestalt psychology, and collaborated with William James, Edmund Husserl, and Wolfgang Kohler.
This book was the culmination of more than 25 years of empirical and theoretical research in the field of music. In the first part, Stumpf discusses the origin and forms of musical activities as well as various existing theories on the origin of music, including those of Darwin, Rousseau, Herder, and Spencer. In the second part of the book, he summarizes his works on the historical development of instruments and music, and studies a putatively global range of music from non-European cultures to demonstrate the psychological principles of tonal organization, as well as providing a range of cross-cultural musical transcriptions and analyses. This became a foundation document for comparative musicology, the elder sibling to modern Ethnomusicology, and the book provides access to the original recordings Stumpf used in this process.
Available for the first time in the English language, The Origins of Music is a fascinating volume for all those with an interest in the history of psychology and music. It appears here in tandem with Self-Disclosure, Stumpf's autobiography of 1924, in which he outlines the rich life experiences behind his research career alongside his own explanation of his scientific and cultural legacy.
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David Trippett is in the Faculty of Music at the Univesity of Cambridge, UK.
"Trippett's translation has brilliantly made use of the internet ... to make many of the recordings Stumpf references in this work available online ... Should David Trippett have only translated The Origins of Music, it would have yet been an invaluable contribution to the field. However, as editor and translator, he goes above and beyond by providing two essays prior to the book, and a new translation of Stumpf's autobiography ... These materials provide a valuable frame for The Origins of Music by supplying a helpful context within which to consider Stumpf's contributions. ... the translationofStumpf's The Origins of Music is a timely and valuable addition to our scholarly literature. ... ESCOM has done the field of music cognition a wonderful service in funding a new trans- lation of an important early work." --Music Perception, July 2013
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