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Music in Pacific Island Cultures: Experiencing Music, Expressing Culture (Global Music Series)

 
9780199733415: Music in Pacific Island Cultures: Experiencing Music, Expressing Culture (Global Music Series)

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Synopsis

Music in Pacific Island Cultures is one of several case-study volumes that can be used along with Thinking Musically, Second Edition, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present.

The islands of Melanesia, Micronesia, and Polynesia are steeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands--a region of the world that has long been underrepresented in ethnomusicological studies.

Based on the authors' extensive fieldwork and experiences in Pacific Island cultures, the text draws on interviews with performers, eyewitness accounts of performances, vivid illustrations, and insights gained from ongoing participation in Pacific music. The authors use four themes--colonialism, belief systems, musical flows, and the re/presentation of Pacific cultures--to survey the region and draw parallels and contrasts between its various musical traditions.

Packaged with a 70-minute audio CD containing musical examples discussed in the book, Music in Pacific Island Cultures features numerous listening activities that engage students with the music. The companion website includes a comprehensive Instructor's Manual with suggested classroom activities.

Visit www.oup.com/us/globalmusic for a list of books in the Global Music Series. The website also includes instructional materials to accompany each volume.

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About the Author


Brian Diettrich is Lecturer in Ethnomusicology at the New Zealand School of Music, Victoria University, in Wellington, New Zealand.

Jane Freeman Moulin is Professor of Ethnomusicology at the University of Hawai'i

Michael Webb is Lecturer in Music Education at the Sydney Conservatorium of Music, the University of Sydney, Australia.

Review


"Bollywood Sounds is an exciting addition to the literature on Hindi film song. Beaster-Jones deftly weaves together song analysis, biography, and socio-political context to provide insights about meaning and style on every page." --Anna Schultz, Stanford University


"This work is destined to become a core text for the study of Indian popular music. It introduces readers to a wealth of carefully analyzed Hindi film hits, accompanied by considerations of the roles of central musical figures and historical/cultural context. It will be an indispensable starting point for scholars and students interested in the Hindi cinema and its music. It is both fascinatingly detailed and ambitiously comprehensive in scope." --Gregory Booth, co-editor of More than Bollywood (2013)


"Beaster-Jones has given the first broad historical sweep of Hindi film songs from the beginning of sound film and the birth of the Indian film song in 1931 to the present day of programming, Internet and cellphones. The book's deft and articulate interweaving of analysis of the musical sounds, styles and techniques of Hindi film songs with social, economic and political change greatly enriches our understanding of this sometimes bewilderingly dynamic phenomenon." --Anna Morcom, author of Hindi Film Songs and the Cinema (2007)


"About this title" may belong to another edition of this title.

  • PublisherOxford University Press
  • Publication date2011
  • ISBN 10 0199733414
  • ISBN 13 9780199733415
  • BindingProduct Bundle
  • LanguageEnglish
  • Edition number1
  • Number of pages224

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