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Synopsis
Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.
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About the Author
William Caplin is James McGill Professor of Music Theory at the Schulich School of Music, McGill University, specializing in the theory of musical form and the history of harmonic and rhythmic theory in the modern era. A former president of the Society for Music Theory, he is currently a Killam Research Fellow writing a large-scale study on musical cadence.
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Analyzing Classical Form: An Approach for the Classroom
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Oxford University Press, 2013
ISBN 10: 0199987297
ISBN 13: 9780199987290
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Analyzing Classical Form: An Approach for the Classroom
Published by
Oxford University Press, 2013
ISBN 10: 0199987297
ISBN 13: 9780199987290
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Analyzing Classical Form: An Approach for the Classroom
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Oxford University Press, 2013
ISBN 10: 0199987297
ISBN 13: 9780199987290
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Analyzing Classical Form : An Approach for the Classroom
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ISBN 10: 0199987297
ISBN 13: 9780199987290
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Analyzing Classical Form: An Approach for the Classroom
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Oxford University Press, 2013
ISBN 10: 0199987297
ISBN 13: 9780199987290
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Analyzing Classical Form : An Approach for the Classroom
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Analyzing Classical Form (Paperback)
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ISBN 10: 0199987297
ISBN 13: 9780199987290
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Paperback. Condition: new. Paperback. Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate courses, Analyzing Classical Form presents the most up-to-date version of the author's "theory of formal functions." Students will learn how to make complete harmonicand formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2 provides a methodology for analyzing sonataform, the most important formal type in this style period; and part 3 considers other full-movement forms found in this repertory (such as minuet, rondo, and concerto). The chapters are organized in a way that presents the most basic materials upfront and then leads the student through more details and finer points of theory. Every topic is illustrated with annotated musical examples; as well, the book contains many unannotated examples that can be used for in-class discussion and forout-of-class analytical exercises. A complete glossary of terms and questions for reviewing the theory will help students assimilate the many theoretical concepts employed in the book. A companion websitehosted by the author at music.mcgill.ca/acf/ provides audio and musical scores for all of the examples in the book as well as additional examples for the analysis of the simple theme-types presented in part 1. Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780199987290
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Analyzing Classical Form: An Approach for the Classroom
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Analyzing Classical Form
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