Moore's suave, ample professionalism is the saving grace of this lightweight, rather contrived Search-for-identity novel. Jamie Mangan, 36, only a young Canadian cub reporter and poet when he first met and married film star Beatrice Abbot years ago, is left with all her considerable monies after she's killed in a car crash (along with the man she'd only recently left Jamie for). After all these years of being Mr. Beatrice Abbot, as well as a cuckold, Jamie is sorely in need of an ego-transplant. Then, on a visit home to Montreal after Beatrice's death, he finds among his father's possessions some Mangan family documents, including a photograph of James Clarence Mangan, a 19th-century Irish versifier popularly considered "Europe's first poete maudite" - and, astoundingly, the spitting image of Jamie himself. So, newly wealthy and independent, Jamie hies himself off to Ireland in search of this new avenue of personal identity. In the little town of Dinshane, he finds Mangans aplenty, but of two separate black sheep and white. It takes the rest of the book to figure out the origins of this discrepancy in behavior and outlook, ending in a revelation of incest, past gruesome injuries, and madness - pure hokum, but for the fact that Moore waltzes you so smoothly into it. Appreciate the narrative savoir-faire; enjoy even the shamelessly sentimental ending; but don't expect much grab or impact from this stylish roots-digging trifle.
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'The Mangan Inheritance is a marvellous book. The storytelling is faultless and I have read no book recently that had in greater measure that quality for which no superior word need be sought but "unputdownability"... a superb product of the imagination.' - Paul Ableman, Spectator
'A passionately detailed and evocative work ... what's exceptionally good is the way it sustains the powerful, simple idea of the quest inside the worrying, edgy details of a modern life.' - Hermione Lee, Observer
'Brian Moore is a highly intelligent writer who has the enviable ability to make you want to go on turning the pages.' - A. N. Wilson, Evening Standard
'Moore is one of the boldest and most inventive contemporary novelists.' - Literary Review
Brian Moore (1921–1999) was born into a large, devoutly Catholic family in Belfast, Northern Ireland. His father was a surgeon and lecturer, and his mother had been a nurse. Moore left Ireland during World War II and in 1948 moved to Canada, where he worked for the Montreal Gazette, married his first wife, and began to write potboilers under various pen names, as he would continue to do throughout the 1950s. The Lonely Passion of Judith Hearne (1955, now available as an NYRB Classic), said to have been rejected by a dozen publishers, was the first book Moore published under his own name, and it was followed by nineteen subsequent novels written in a broad range of modes and styles, from the realistic to the historical to the quasi-fantastical, including The Luck of Ginger Coffey, An Answer from Limbo, The Emperor of Ice-Cream, I Am Mary Dunne, Catholics, Black Robe, and The Statement. Three novels—Lies of Silence, Color of Blood, and The Magician’s Wife—were short-listed for the Booker Prize, and The Great Victorian Collection won the James Tait Black Memorial Prize. After adapting The Luck of Ginger Coffey for film in 1964, Moore moved to California to work on the script for Alfred Hitchcock’s Torn Curtain. He remained in Malibu for the rest of his life, remarrying there and teaching at UCLA for some fifteen years. Shortly before his death, Moore wrote, “There are those stateless wanderers who, finding the larger world into which they have stumbled vast, varied and exciting, become confused in their loyalties and lose their sense of home. I am one of those wanderers.”
Christopher Ricks teaches at Boston University and is a former president of the Association of Literary Scholars, Critics, and Writers. From 2004 to 2009 he was Professor of Poetry at the University of Oxford. His most recent book is True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell Under the Sign of Eliot and Pound.
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