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Book Description Condition: New. Seller Inventory # 5385670-n
Book Description Condition: New. Buy with confidence! Book is in new, never-used condition. Seller Inventory # bk0224084992xvz189zvxnew
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Book Description Hardcover. Condition: Brand New. 272 pages. 11.61x11.73x1.02 inches. In Stock. Seller Inventory # __0224084992
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Book Description Hardcover. Condition: new. Hardcover. As world attention focuses on the economic development and massive cultural upheavals of China, all of which are embodied in the transformation of Beijing prior to the 2008 Olympics, Chinese artists have emerged after years of containment by the strictures of the national ideology. The Western art world, hungry for new spectacle, has consumed the new art with an appetite, but the art is changing so fast the Western viewer has little means of assessing or understanding the background to these extraordinary developments. "The Revolution Continues" provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so explicitly evident during the years of the Cultural Revolution that ran from 1966 to the death of Mao and the fall of the Gang of Four in 1976.In his text Jiang Jiehong argues that the widespread destruction of traditional Chinese treasures by the Red Guards, especially in the early period of 1966, overshadows the entire period. Today's rebellious artistic spirit is, in fact, an extension of Mao's legacy. The extensive Saatchi collection of new Chinese art is presented in conjunction with Joshua Jiang's examination of the use of the colour red, the iconography of Mao, the sense of the collective and the use of textual language that derives from the calligraphy of the propaganda poster. This dramatic material will be published to coincide with one of the opening exhibitions at the new Saatchi Gallery. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780224084994
Book Description Condition: New. Seller Inventory # 5385670-n
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # C3-9780224084994
Book Description Condition: New. 2008. 1st ed. Hardcover. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Num Pages: 272 pages, col. ill. BIC Classification: 1FPC; ACXJ. Category: (G) General (US: Trade). Dimension: 295 x 298 x 26. Weight in Grams: 2005. . . . . . Books ship from the US and Ireland. Seller Inventory # V9780224084994
Book Description Hardcover. Condition: new. Hardcover. As world attention focuses on the economic development and massive cultural upheavals of China, all of which are embodied in the transformation of Beijing prior to the 2008 Olympics, Chinese artists have emerged after years of containment by the strictures of the national ideology. The Western art world, hungry for new spectacle, has consumed the new art with an appetite, but the art is changing so fast the Western viewer has little means of assessing or understanding the background to these extraordinary developments. "The Revolution Continues" provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so explicitly evident during the years of the Cultural Revolution that ran from 1966 to the death of Mao and the fall of the Gang of Four in 1976.In his text Jiang Jiehong argues that the widespread destruction of traditional Chinese treasures by the Red Guards, especially in the early period of 1966, overshadows the entire period. Today's rebellious artistic spirit is, in fact, an extension of Mao's legacy. The extensive Saatchi collection of new Chinese art is presented in conjunction with Joshua Jiang's examination of the use of the colour red, the iconography of Mao, the sense of the collective and the use of textual language that derives from the calligraphy of the propaganda poster. This dramatic material will be published to coincide with one of the opening exhibitions at the new Saatchi Gallery. Provides a link between the rebellious spirit of the current generation of Chinese artists and the mood of rebellion that was so evident during the years of the Cultural Revolution that ran from 1966 to 1976. This work argues that the destruction of traditional Chinese treasures by the Red Guards, especially in 1966, overshadows the entire period. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780224084994