Practicing New Historicism - Softcover

Gallagher, Catherine; Greenblatt, Professor Stephen

Softcover

ISBN 10: 0226279359 ISBN 13: 9780226279350

Publisher: University of Chicago Press, 2001

Synopsis

For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects.

In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations.

By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt?

Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars.

"Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice

"A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review

About this title

From the Inside Flap:

"Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."-Choice

For decades, new historicism has been a highly controversial and influential force in literary and cultural studies. In this dazzling, seminal volume, two of the discipline's most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects.

About the Author:

Catherine Gallagher is professor emerita of English at the University of California, Berkeley. She is the author of many books, including The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian Novel.

Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. He is the author of many books, including Hamlet in Purgatory, Will in the World: How Shakespeare Became Shakespeare, and The Swerve: How the World Became Modern, winner of the Pulitzer Prize and the National Book Award.

 

About this edition

• Publisher: University of Chicago Press
• Publication date: 2001
• ISBN 10: 0226279359
• ISBN 13: 9780226279350
• Binding: Paperback
• Number of pages: 259