“The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."—Francis Bacon, painter
This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots.
John Hyman’s The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye?
The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing.
"synopsis" may belong to another edition of this title.
John Hyman is a fellow of Queen’s College, Oxford.
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Fair. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students. Seller Inventory # 00110758215
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Fair. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students. Seller Inventory # CIN0226365530A
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Condition: very_good. Seller Inventory # BSM.1AB9W
Seller: Evergreen Goodwill, Seattle, WA, U.S.A.
paperback. Condition: Good. Seller Inventory # mon0000785822
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0226365530Z3
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 14914101-6
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Seller: Moe's Books, Berkeley, CA, U.S.A.
Soft cover. Condition: Good. No jacket. Cover is shelf worn. Binding is tight. Pencil underlining and inscriptions throughout some pages of the book, otherwise all other pages are clean and unmarked. Seller Inventory # 1145903
Seller: Greener Books, London, United Kingdom
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Condition: New. Brand New. Seller Inventory # 9780226365534