The Great Image Has No Form, or On the Nonobject through Painting

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9780226415307: The Great Image Has No Form, or On the Nonobject through Painting
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In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, The Great Image Has No Form explores the “nonobject”—a notion exemplified by paintings that do not seek to represent observable surroundings.

François Jullien argues that this nonobjectifying approach stems from the painters’ deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.

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About the Author:

Jane Marie Todd has translated some seventy books, including Writing, Law, and Kingship in Old Babylonian Mesopotamia, also published by the University of Chicago Press.

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“This is one of those rare, precious, and necessary books that, once you have completed a first reading, you realize you have only just begun.” (Magazine Littéraire)

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Other Popular Editions of the Same Title

9780226415314: The Great Image Has No Form, or On the Nonobject through Painting

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ISBN 10:  0226415317 ISBN 13:  9780226415314
Publisher: University of Chicago Press, 2012
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9781459658394: The Great Image Has No Form, or on the Nonobject Through Painting

ReadHo..., 2013
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Book Description The University of Chicago Press, United States, 2009. Hardback. Condition: New. 2nd ed.. Language: English. Brand new Book. In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, "The Great Image Has No Form" explores the 'nonobject' - a notion exemplified by paintings that do not seek to represent observable surroundings. Francois Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted. Seller Inventory # AAH9780226415307

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Book Description The University of Chicago Press, United States, 2009. Hardback. Condition: New. 2nd ed.. Language: English. Brand new Book. In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, "The Great Image Has No Form" explores the 'nonobject' - a notion exemplified by paintings that do not seek to represent observable surroundings. Francois Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted. Seller Inventory # AAH9780226415307

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