For more than twenty years now, Blair Kamin of the Chicago Tribune has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin’s writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world’s tallest skyscraper.
Assessing ordinary commercial structures as well as head-turning designs by some of the world’s leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation’s crumbling infrastructure.
A prominent cast of players—including Santiago Calatrava, Frank Gehry, Helmut Jahn, Daniel Libeskind, Barack Obama, Renzo Piano, and Donald Trump—fills the pages of this eye-opening look at the astounding and extraordinary ways that architecture mirrors our values—and shapes our everyday lives.
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Kamin, the Pulitzer Prize–winning architecture critic for the Chicago Tribune, has constructed an elegant and thought-provoking book out of 51 of his timely yet timeless columns. He begins not with the creation of structures but, rather, with their destruction: the terrorist attack on the World Trade Center towers and Katrina’s assault on New Orleans. In the wake of each catastrophe, Kamin examines reactions predictable and counterintuitive. There’s the ugly and dampening impact of clumsy security measures on architecture, travel, and public life, and the reckless building boom, which stoked the foreclosure epidemic and a plague of generic, bloated commercial and residential buildings, and left two massive skyscraper projects, the Spire and the Waterview Tower, in limbo in Chicago (“the first city of American architecture”). But he also writes of such buoyant successes as Santiago Calatrava’s winged addition to the Milwaukee Art Museum and Jeanne Gang’s “singular” Aqua Tower and celebrates the “blooming of green architecture.” Crisp and colorful, expert and witty, Kamin’s involving essays address the complexities of architecture and how the built world affects every aspect of life. --Donna Seaman
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