A timeless tale of love, lust, and politics, Tosca is one of the most popular operas ever written. In Tosca's Rome, Susan Vandiver Nicassio explores the surprising historical realities that lie behind Giacomo Puccini's opera and the play by Victorien Sardou on which it is based.
By far the most "historical" opera in the active repertoire, Tosca is set in a very specific time and place: Rome, from June 17 to 18, 1800. But as Nicassio demonstrates, history in Tosca is distorted by nationalism and by the vehement anticlerical perceptions of papal Rome shared by Sardou, Puccini, and the librettists. To provide the historical background necessary for understanding Tosca, Nicassio takes a detailed look at Rome in 1800 as each of Tosca's main characters would have seen it—the painter Cavaradossi, the singer Tosca, and the policeman Scarpia. Finally, she provides a scene-by-scene musical and dramatic analysis of the opera.
"[Nicassio] must be the only living historian who can boast that she once sang the role of Tosca. Her deep knowledge of Puccini's score is only to be expected, but her understanding of daily and political life in Rome at the close of the 18th century is an unanticipated pleasure. She has steeped herself in the period and its prevailing culture-literary, artistic, and musical-and has come up with an unusual, and unusually entertaining, history."—Paul Bailey, Daily Telegraph
"In Tosca's Rome, Susan Vandiver Nicassio . . . orchestrates a wealth of detail without losing view of the opera and its pleasures. . . . Nicassio aims for opera fans and for historians: she may well enthrall both."—Publishers Weekly
"This is the book that ranks highest in my estimation as the most in-depth, and yet highly entertaining, journey into the story of the making of Tosca."—Catherine Malfitano
"Nicassio's prose . . . is lively and approachable. There is plenty here to intrigue everyone-seasoned opera lovers, musical novices, history buffs, and Italophiles."—Library Journal
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Susan Vandiver Nicassio is professor of history at the University of Louisiana at Lafayette. She is the author of many books, including Tosca’s Rome, also published by the University of Chicago Press.
Nicassio's critical look at Puccini's Tosca (one of the most popular and "historical" operas ever written) arrives just in time for its January 2000 centennial. An academic historian who has actually performed the role of Tosca, Nicassio is perfectly suited to deal with the opera's political and musical complexities. She divides her study into three large sections. In the first, she reviews Roman life in the late 18th and 19th centuries, paying considerable attention to how Puccini's own prejudices shaped his story and how Sardou (the French playwright) reinterpreted the historical realities that the opera treats. In the second section, she looks at how Rome circa 1800 was viewed through the eyes of a painter, a singer, and a policeman (the occupations of the opera's three main characters). This section, and the nextAa scene-by-scene analysis of the operaAare continually revelatory and illuminating. A valuable appendix very clearly shows the parallels (and discrepancies) between the play and the opera. Nicassio's prose, though intensely scholarly, is lively and approachable. There is plenty here to intrigue everyoneAseasoned opera lovers, musical novices, history buffs, and Italophiles. Highly recommended for all collections.ALarry A. Lipkis, Moravian Coll., Bethlehem, PA
Copyright 1999 Reed Business Information, Inc.
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