From Kirkus Reviews:
paper 0-226-66772-3 An anthropologist from UCLA constructs a semiotics for decoding the graffiti markings of street gangs. Phillips expresses an interest in the general availability of graffiti as a sign system both historically and cross-culturally, but her main focus is on how gangs in L.A. deploy this form of writing to symbolically demarcate their geographical and political boundaries. Her impetus for the book was an incident in which one young Hispanic ``tagger'' was killed and another wounded by a white vigilante who was carrying an illegal handgun. Public response to the story seemed to indicate a high level of support for the shooter, thus indicating that the general fear of graffiti and its effects on neighborhoods warrants severe measures be taken against its practitioners. What the public fears to be a cryptic threat to its safety and quality of life, Phillips recognizes as a creative response to a situation of nearly intolerable disenfranchisement. More than this, Phillips employs her study of graffiti as a methodology for writing and thinking about gang life and issues without fixating on violent behaviors and stereotypesas often occurs in academic work on street gangs. By photographing wall markings and then bringing the pictures with her as she seeks out individual artists for interviews, she builds a bond with informants who might otherwise have been very hesitant to speak about their work with an anthropological field-worker. She studies and compares the graffiti styles of African-American gangs, such as the Bloods and the Crips, and Chicano gangs, such as the Santa Monica Little Locos, and explores how the medium allows gangs to close themselves into bounded systems, cordon off territories, make their places within neighborhoods, define friends and enemies, and negotiate a host of political and cultural concerns. Perhaps the least hysterical exploration into the life of urban street gangs in the US to date. (13 color, 104 b&w photos, not seen) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
From School Library Journal:
YA-A superbly appealing cover invites readers to explore the world of graffiti, hip-hop, and gangs. What follows is a good introduction to hip-hop culture. Readers will gain new insight into the social, political, and economic world of the minority community. In addition, they'll learn new meanings for the words " friends," "family," and "foe." Phillips does a fine job of comparing and contrasting the lifestyles of young Chicano and African Americans of Southern California, who happen to be in gangs. The text is profusely illustrated but only a few of the photographs are in color, with gang members displaying their art. It delineates the effect neighborhood, politics, and culture have on daily life for these urban teens. The most outstanding feature of the book is the pride, spirit, and allegiance that come through in the voices of these young people. Teens will not view this book as a glorification of gang behavior, but rather as an objective look at a specific social group not readily covered in mainstream media. Gangs do exist in many communities and one hopes this book would provide interested parties with vital information on how to communicate with them. A must-read for anyone concerned about the future of Generation X.
ayo dayo, Chinn Park Regional Library, Prince William, VA
Copyright 2000 Reed Business Information, Inc.
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