Synopsis
Conservative thinkers of the early Middle Ages conceived of sensual gratification as a demonic snare contrived to debase the higher faculties of humanity, and they identified pagan writing as one of the primary conduits of decadence. Two aspects of the pagan legacy were treated with particular distrust: fiction, conceived as a devious contrivance that falsified GodOCOs order; and rhetorical opulence, viewed as a vain extravagance. Writing that offered these dangerous allurements came to be known as OC hermaphroditicOCO and, by the later Middle Ages, to be equated with homosexuality.aAt the margins of these developments, however, some authors began to validate fiction as a medium for truth and a source of legitimate enjoyment, while others began to explore and defend the pleasures of opulent rhetoric. Here David Rollo examines two such textsOCoAlain de LilleOCOs "De planctu Naturae" and Guillaume de Lorris and Jean de MeunOCOs "Roman de la Rose"OCoarguing that their authors, in acknowledging the liberating potential of their irregular written orientations, brought about a nuanced reappraisal of homosexuality. Rollo concludes with a consideration of the influence of the latter on ChaucerOCOs "PardonerOCOs Prologue and Tale."
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Review
""Kiss My Relics" pulls off the rather unusual feat of being at one and the same time profoundly learned and yet absolutely hilarious. David Rollo blows the dust off the question of the "Romance of the Rose"'s relation to its Latin sources to show just how deeply invested medieval culture had from the outset been in a theory of poetic language that allied it with perverse sexual practices, bodily pleasure, and indeterminacy. "Kiss My Relics" foregrounds the wicked humor and sophisticated playfulness of the "Romance of the Rose" and its legacy, but it is also a witty and compelling demonstration of just how subversive and playful medieval literary culture could be."--Simon Gaunt, King's College London
"There is no book now available that makes the arguments that Rollo is advancing with anything near the force of "Kiss My Relics". Through it, one is introduced to complex but rewarding arguments about language theory and representation and the interplay between Latin and the vernacular, England and the continent, and religious and pagan literary traditions. I would make "Kiss My Relics" compulsory reading for students and scholars of medieval intellectual history as well as those in French, English, and Medieval Latin literature."--William Burgwinkle, King's College, University of Cambridge
""Kiss My Relics" pulls off the rather unusual feat of being at one and the same time profoundly learned and yet absolutely hilarious. David Rollo blows the dust off the question of the "Romance of the Rose"'s relation to its Latin sources to show just how deeply invested medieval culture had from the outset been in a theory of poetic language that allied it with perverse sexual practices, bodily pleasure, and indeterminacy. "Kiss My Relics" foregrounds the wicked humor and sophisticated playfulness of the "Romance of the Rose" and its legacy, but it is also a witty and compelling demonstration of just how subversive and playful medieval literary culture could be."
--Simon Gaunt, King's College London
"There is no book now available that makes the arguments that Rollo is advancing with anything near the force of "Kiss My Relics". Through it, one is introduced to complex but rewarding arguments about language theory and representation and the interplay between Latin and the vernacular, England and the continent, and religious and pagan literary traditions. I would make "Kiss My Relics" compulsory reading for students and scholars of medieval intellectual history as well as those in French, English, and Medieval Latin literature."
--William Burgwinkle, King's College, University of Cambridge
"David Rollo's "Kiss My Relics" stages an important intervention into the study of medieval sexuality and of the Latin and vernacular literary traditions that place sexual material at their center. Beginning with Martianus Capella's difficult and understudied but highly influential "De nuptiis Philologiae et Mercurii", Rollo traces a line of 'hermaphroditic' writing that leads (via Remigius of Auxerre and William of Malmesbury) to Alain de Lille's "De planctu Naturae", Guillaume de Lorris and Jean de Meun's "Roman de la Rose", and Chaucer's "Canterbury Tales". Considering the ways in which hermaphroditism is reconfigured as male homosexuality, particularly by Alain and Jean, Rollo argues persuasively that these writers deploy male same-sex eroticism not simply in (expected) homophobic ways but with sympathy; in Jean, male homoeroticism even comes to function as a sign of creative freedom. "Kiss My Relics" makes us rethink much of what we thought we knew about the history of sexuality, and it will be required reading for the next generation of scholars in this field."--Steven F. Kruger, Queens College and Graduate Center, City University of New Yor
"Rollo's close reading of the sexualized and decadent rhetorical strategies found in "De planctu" is a joy; it represents the work of a seasoned scholar who knows and appreciates de Lille's work. Highly recommended."--A. L. Kaufman "Choice "
"Kiss My Relics" pulls off the rather unusual feat of being at one and the same time profoundly learned and yet absolutely hilarious. David Rollo blows the dust off the question of the "Romance of the Rose" s relation to its Latin sources to show just how deeply invested medieval culture hadfrom the outsetbeen in a theory of poetic language that allied it with perverse sexual practices, bodily pleasure, and indeterminacy. "Kiss My Relics" foregrounds the wicked humor and sophisticated playfulness of the "Romance of the Rose" and its legacy, but it is also a witty and compelling demonstration of just how subversive and playful medieval literary culture could be.
--Simon Gaunt, King s College London"
There is no book now available that makes the arguments that Rollo is advancing with anything near the force of "Kiss My Relics." Through it, one is introduced to complex but rewarding arguments about language theory and representation and the interplay between Latin and the vernacular, England and the continent, and religious and pagan literary traditions. I would make "Kiss My Relics" compulsory reading for students and scholars of medieval intellectual history as well as those in French, English, and Medieval Latin literature.
--William Burgwinkle, King s College, University of Cambridge"
David Rollo s "Kiss My Relics" stages an important intervention into the study of medieval sexuality and of the Latin and vernacular literary traditions that place sexual material at their center. Beginning with Martianus Capella s difficult and understudied but highly influential "De nuptiis Philologiae et Mercurii," Rollo traces a line of hermaphroditic writing that leads (via Remigius of Auxerre and William of Malmesbury) to Alain de Lille s "De planctu Naturae," Guillaume de Lorris and Jean de Meun s "Roman de la Rose," and Chaucer s "Canterbury Tales." Considering the ways in which hermaphroditism is reconfigured as male homosexuality, particularly by Alain and Jean, Rollo argues persuasively that these writers deploy male same-sex eroticism not simply in (expected) homophobic ways but with sympathy; in Jean, male homoeroticism even comes to function as a sign of creative freedom. "Kiss My Relics" makes us rethink much of what we thought we knew about the history of sexuality, and it will be required reading for the next generation of scholars in this field. --Steven F. Kruger, Queens College and Graduate Center, City University of New York"
Rollo s close reading of the sexualized and decadent rhetorical strategies found in "De planctu" is a joy; it represents the work of a seasoned scholar who knows and appreciates de Lille s work. Highly recommended. --A. L. Kaufman "Choice ""
About the Author
David Rollo is associate professor of English, with a joint appointment in the Department of French and Italian, at the University of Southern California. He is the author of two books, most recently of Glamorous Sorcery: Magic and Literacy in the High Middle Ages.
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