The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today.
In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital.
Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.
"synopsis" may belong to another edition of this title.
John Beldon Scott is a professor of art history at the University of Iowa. He is the author of Images of Nepotism: The Painted Ceilings of Palazzo Barberini.
The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today.
In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital.
Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.
"About this title" may belong to another edition of this title.
Seller: Kubik Fine Books Ltd., ABAA, Dayton, OH, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: dj. 1st Edition, 1st Printing. 443p, numerous illustrations, A fine hardcover book in a like dustjacket, Insribed byt the author, apparently to one of his former professors, Oversize. A beautiful book, appears unread! Architectural study of Turin Cathedral. Seller Inventory # 300532
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 443 pages. Features text by John Beldon Scott. Includes numerous illustrations. A clean and tight very near fine copy in paper covered boards with a cloth spine and in a very near fine dust jacket. Please note that this is a heavy book and will require extra shipping. Seller Inventory # 213352
Seller: Thomas Heneage Art Books, London, United Kingdom
443 pages. 214 black and white illustrations. Hardback 31x22.5cms. ISBN: 9780226743165. Text in English. Seller Inventory # 090864
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9780226743165
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9780226743165
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Condition: New. Seller Inventory # 1184024-n
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. In this illustrated volume, John Beldon Scott traces the history of the Turin Shroud, focusing especially on the black marble and structure Guarini designed to house and exhibit it. Exploring the mystique of this enigmatic relic, this work also investigates its display and purpose. Num Pages: 496 pages, 16 colour plates, 184 halftones, 16 line drawings, 2 tables. BIC Classification: 1DST; AM; HRC. Category: (P) Professional & Vocational. Dimension: 314 x 227 x 37. Weight in Grams: 2228. . 2003. 1st Edition. hardcover. . . . . Seller Inventory # V9780226743165
Quantity: 1 available