Items related to Sounding Human: Music and Machines, 1740/2020 (New...
- PublisherUniversity of Chicago Press
- Publication date2024
- ISBN 10 0226830098
- ISBN 13 9780226830094
- BindingHardcover
- LanguageEnglish
- Edition number1
- Number of pages248
Search results for Sounding Human: Music and Machines, 1740/2020 (New...
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Sounding Human : Music and Machines, 1740/2020
Published by
University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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SoundingHuman Format: Hardback
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Sounding Human : Music and Machines, 1740/2020
Published by
University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Sounding Human: Music and Machines, 1740/2020 (New Material Histories of Music)
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University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Sounding Human: Music and Machines, 1740/2020
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The University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Sounding Human Music and Machines, 1740/2020
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University of Chicago Press, 2023
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Hardcover. Condition: Brand New. 256 pages. 9.00x6.00x0.80 inches. In Stock. This item is printed on demand. Seller Inventory # __0226830098
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Sounding Human (Hardcover)
Published by
The University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Hardcover. Condition: new. Hardcover. An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing human musicality from its merely mechanical simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the human or machine logic and seeking out others, better characterized by conjunctions such as and or with.Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of sound wave instruments by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have beenor can beused to help explain and contest what it is to be human. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780226830094
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Sounding Human : Music and Machines, 1740/2020
Published by
University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Sounding Human 8211 Music And Machin
Published by
University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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Sounding Human : Music and Machines, 1740/2020
Published by
University of Chicago Press, 2024
ISBN 10: 0226830098
ISBN 13: 9780226830094
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