"synopsis" may belong to another edition of this title.
His seventy-year correspondence from childhood in the First World War until his death in 1990 is earthy, shrewd, camp, savage, dramatic, very funny and free. White wrote novels to impress a hostile world, but most of his correspondence was written to amuse, inform, and, at times, upbraid his friends. He was an old man before he wrote fiction as easy and direct as the best of his letters. White kept no copies of his correspondence and all the letters he received were thrown away. As friends and relations died and bundles of his own letters came back to him, White destroyed them. He spoke of his perpetual shedding as a way of keeping free of the past's stale entanglements. As early as the 1950s, he urged his correspondents to burn his letters. A few of White's correspondents did so; some lied that they had; most carefully stored White's letters away. This collection, the culmination of ten years' work and reflection by David Marr, author of the well-received biography Patrick White: A Life, tells the story of White's life in his own words. These are the letters of a great writer, a profound critic, a gossip with the sharpest eyes and tongue, a man who loved and hated ferociously, a keen cook, an angry patriot, and a believer never free of doubt. Patrick White: Letters is an unexpected and final volume of prose by Australia's most acclaimed novelist writing on everything from cooking and dogs to global politics. Only a few scraps of White's letters have been published before.
A swarming and copious selection of letters by the Nobel Prizewinning novelist and playwright. ``My life is a series of blunders and recoveries and so it will be, I expect, till the end.'' Described by his biographer Marr (Patrick White: A Life, 1992) as ``a wise man who could be stubbornly wrong,'' White (191290) acquired the epistolary habit at age four or five, never to abandon it for long. His letters, by turns irascible and fond, cover a broad range of correspondents: from friends of his youth to literary people like Christina Stead and Shirley Hazzard to public figures like Ronald Reagan; White scathingly dismissed the president's Chinese diplomacy, savaged the American taste for ``celluloid, plastic, and decadence,'' and urged Reagan to ``[drop] out from time to time to contemplate problems which seem insoluble. Probably they will remain so.'' White wanted his friends to destroy the letters they received, but it's fortunate that not all complied with his wishes, for the fullness of this inadvertent self-portrait is nearly Shakespearean. The bluntness and sporadic cruelty of White mingles with a bold and outsize warmth that give the letters an epic feel without the usual affectations of the epic. His maverick, embattled nature guided him, and the letters tingle with it as they chronicle his early wanderings, wartime service in the Middle East and Africa, lifelong partnership with onetime Greek soldier Manoly Lascaris, and pattern of friendships won and forsworn. His love-hate relations with Australia were perhaps emblematic of his character, but so was a blitheness that led him to send thanks in 1940 to an American boyfriend: ``That little G-string you presented me with last year is a great help in a New York heat wave!'' Marr offers useful commentary; drawings of the craggy-faced novelist also lend a charm to these pages. A literary milestone. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
Australian novelist, playwright, and poet White, who won a Nobel Prize in Literature in 1973, wrote scores of letters?600 of which appear in this volume. Dating from 1918 to 1989, the letters begin with a wish list to Santa and a charming child's note (1919) addressed to "The Fairies." Acutely reflecting White's personal and professional life, these letters are edited and linked with unobtrusive editorial comment by White's biographer (Patrick White: A Life, LJ 3/1/92) to create an epistolary autobiography. A biographical dictionary of correspondents (including lovers, friends, publishers, family members, critics, etc.) is a useful touch. Strongly recommended for all literature collections, but unnecessary for those who own the British or Australian edition (Cape, 1994).?Janice E. Braun, Mills Coll. Lib., Oakland, Cal.
Copyright 1996 Reed Business Information, Inc.
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Seller: St Vincent de Paul of Lane County, Eugene, OR, U.S.A.
Condition: Acceptable. PLEASE NOTE: FORMER LIBRARY COPY. MAY HAVE IDENTIFYING MARKS, STAMPS AND/OR STICKERS, ETC.BOOK REMAINS IN ACCEPTABLE READING CONDITION. Former Library book. hardcover 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues. Seller Inventory # R-04-5098
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Hardcover. Condition: As New. Dust Jacket Condition: Very Good. 1st US edition. First US edition 1996, first printing, numbers line starts with 1. Hardcover in full cloth with DJ. Condition as new, square tight and clean book, no edgewear, no markings of any kind, no names no underlinings no highlights no bent page corners, Not a reminder. DJ very good, bright and shiny, no edgewear, one long repaired tear on front panel, no chips, NOT clipped . 8vo, 688 pages, index. Heavy book will require additional postage for international orders. Seller Inventory # 003883
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First U.S. Edition, First Printing. David Marr, editor. Hardcover, 677 pages. Condition: Near fine in near fine dust jacket. -- Patrick White wanted his letters burned, but here they are: "earthy, shrewd, camp, savage, dramatic, very funny." ISBN 0226895033. Seller Inventory # 00022067
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1st U.S. edition. 8vo. ix + 677pp. B/w. portrait frontispiece and illustrations. Original boards, d/w. slightly rubbed to edges. ISBN 0226895033 US$11. Seller Inventory # 137875
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