In 1962, the philosopher Richard Taylor used six commonly accepted presuppositions to imply that human beings have no control over the future. David Foster Wallace not only took issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but also noted a semantic trick at the heart of Taylor's argument.
Fate, Time, and Language presents Wallace's brilliant critique of Taylor's work. Written long before the publication of his fiction and essays, Wallace's thesis reveals his great skepticism of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor, we witness the developing perspective of this major novelist, along with his struggle to establish solid logical ground for his convictions. This volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's original article and other works on fatalism cited by Wallace. James Ryerson's introduction connects Wallace's early philosophical work to the themes and explorations of his later fiction, and Jay Garfield supplies a critical biographical epilogue.
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David Foster Wallace (1962-2008) wrote the acclaimed novels Infinite Jest and The Broom of the System and the story collections Oblivion, Brief Interviews with Hideous Men, and Girl with Curious Hair. His nonfiction includes the essay collections Consider the Lobster and A Supposedly Fun Thing I'll Never Do Again and the full-length work Everything and More.
A progression of ordinary-seeming premises that would obliterate free will is challenged on its own grounds by the late, celebrated author of Infinite Jest. Written in the mid-1980s as one of Wallace's two undergraduate theses at Amherst College (his first novel, The Broom of the System, was the other), it addresses a "logical slippage"--as James Ryerson puts it--in Richard Taylor's six famous presuppositions that contend that man has no control over his fate. The paper, a survey of Taylor's argument and its influence on late-20th-century philosophy, is reprinted in its entirety, and the language of modal logic can be heavy going at times--be prepared for pages of highly specialized discussion on logic that necessitate accompanying diagrams. Still, as an early glimpse at the preoccupations of one of the 20th century's most compelling and philosophical authors, it is invaluable, and Wallace's conclusion--"if Taylor and the fatalists want to force upon us a metaphysical conclusion, they must do metaphysics, not semantics"--is simply elegant. (Dec.)
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