Mary Helen Washington recovers the vital role of 1950s leftist politics in the works and lives of modern African American writers and artists. While most histories of McCarthyism focus on the devastation of the blacklist and the intersection of leftist politics and American culture, few include the activities of radical writers and artists from the Black Popular Front. Washington's work incorporates these black intellectuals back into our understanding of mid-twentieth-century African American literature and art and expands our understanding of the creative ferment energizing all of America during this period.
Mary Helen Washington reads four representative writers―Lloyd Brown, Frank London Brown, Alice Childress, and Gwendolyn Brooks―and surveys the work of the visual artist Charles White. She traces resonances of leftist ideas and activism in their artistic achievements and follows their balanced critique of the mainstream liberal and conservative political and literary spheres. Her study recounts the targeting of African American as well as white writers during the McCarthy era, reconstructs the events of the 1959 Black Writers' Conference in New York, and argues for the ongoing influence of the Black Popular Front decades after it folded. Defining the contours of a distinctly black modernism and its far-ranging radicalization of American politics and culture, Washington fundamentally reorients scholarship on African American and Cold War literature and life.
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Mary Helen Washington is a professor in the English Department at the University of Maryland, College Park. She has been a Bunting Fellow at Harvard University and has taught at the University of Massachusetts, Boston. She is the editor of Black-Eyed Susans: Classic Stories by Black Women Writers; Midnight Birds: Stories of Contemporary Black Women Writers; Invented Lives: Narratives of Black Women; and Memory of Kin: Stories of Family by Black Writers.
*Starred Review* Considering that any effort to achieve racial equality was viewed as subversive in the Cold War era, is it any wonder that so many black artists and writers were viewed as Communists? Yet very little has been written about the black artists and writers who were surveilled, investigated, and blacklisted because of their beliefs and their work. Literary scholar Washington remedies that neglect with this engrossing look at six artists. Though some were Communist Party members and others not, they were all drawn to the Left’s appreciation of black folk culture and support for the ideal of self-determination, themes that figured prominently in their work. Washington profiles novelist and essayist Lloyd L. Brown, visual artist Charles White, playwright and novelist Alice Childress, poet and novelist Gwendolyn Brooks, novelist Frank London Brown, and novelist and activist Julian Mayfield. Tapping archival material, biographies, interviews, and FBI files, Washington examines his subjects’ aesthetic and relationships with other writers and artists and the black community as well as their frustrations with and ambivalent feelings about the Left. Photographs of the artists and their works and pages from FBI files enhance this compelling look at artists and writers who became part of the vanguard of the progressive politics and civil rights movement of the 1960s. --Vanessa Bush
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