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The Generation of Postmemory: Writing and Visual Culture After the Holocaust (Gender and Culture Series) - Softcover
Synopsis
Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.
In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.
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About the Author
Marianne Hirsch is a professor of comparative literature and gender studies at Columbia University. Her most recent books are, with Leo Spitzer, Ghosts of Home: The Afterlife of Czernowitz in Jewish Memory and, with Nancy K. Miller, Rites of Return: Diaspora Poetics and the Politics of Memory. Two of this book's chapters were written with Leo Spitzer, who is also the author of Hotel Bolivia: The Culture of Memory in a Refuge from Nazism and Lives in Between: Assimilation and Marginality in Austria, Brazil, and West Africa, 1780–1945.
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The Generation of Postmemory: Writing and Visual Culture After the Holocaust (Gender and Culture Series)
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Columbia University Press, 2012
ISBN 10: 0231156537
ISBN 13: 9780231156530
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The Generation of Postmemory : Writing and Visual Culture after the Holocaust
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ISBN 13: 9780231156530
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The Generation of Postmemory: Writing and Visual Culture After the Holocaust (Gender and Culture Series)
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ISBN 10: 0231156537
ISBN 13: 9780231156530
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The Generation of Postmemory
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ISBN 10: 0231156537
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Paperback. Condition: New. Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it.In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it. Seller Inventory # LU-9780231156530
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The Generation of Postmemory: Writing and Visual Culture After the Holocaust
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ISBN 10: 0231156537
ISBN 13: 9780231156530
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Condition: New. 2012. Paperback. Series: Gender and Culture Series. Num Pages: 320 pages, 57 black & white illustrations. BIC Classification: JFC; JFSJ1; JFSR1. Category: (P) Professional & Vocational. Dimension: 225 x 151 x 15. Weight in Grams: 444. Writing and Visual Culture After the Holocaust. Series: Gender and Culture Series. 320 pages, 57 black & white illustrations. Cateogry: (P) Professional & Vocational. BIC Classification: JFC; JFSJ1; JFSR1. Dimension: 225 x 151 x 15. Weight: 426. . . . . . Seller Inventory # V9780231156530
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The Generation of Postmemory (Paperback)
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ISBN 10: 0231156537
ISBN 13: 9780231156530
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Paperback. Condition: new. Paperback. Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories-multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it. Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780231156530
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The Generation of Postmemory
Published by
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ISBN 10: 0231156537
ISBN 13: 9780231156530
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The Generation of Postmemory: Writing and Visual Culture After the Holocaust (eng)
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ISBN 10: 0231156537
ISBN 13: 9780231156530
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