Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes) - Hardcover

Preston, Carrie J.

Hardcover

ISBN 10: 0231166508 ISBN 13: 9780231166508

Publisher: Columbia University Press, 2016

Synopsis

In this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh's important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another.

Preston's critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston's assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston's analysis and her journey reflect a more nuanced understanding of cultural exchange.

About this title

Book Description

In Learning to Kneel, Carrie J. Preston locates noh drama's influence on American and European writers, dancers, and composers. Preston's work has been profoundly shaped by her training in noh performance technique in Tokyo, a cross-cultural exchange that challenged her assumptions. Pound, Yeats, Brecht, and others are often criticized for their Orientalist tendencies and misappropriation of noh, but Preston's analysis and her own journey reflect a more nuanced understanding of cultural exchange.

About the Author

Carrie J. Preston is associate professor of English and Women’s, Gender, and Sexuality Studies and Arvind and Chandan Nandlal Kilachand Professor and Director of Kilachand Honors College at Boston University. She is the author of Modernism’s Mythic Pose: Gender, Genre, Solo Performance (2011), which won the de la Torre Bueno Prize.

Edition details

• Publisher: Columbia University Press
• Publication date: 2016
• ISBN 10: 0231166508
• ISBN 13: 9780231166508
• Binding: Hardcover
• Language: English
• Number of pages: 352