A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe.
Focusing on the relationship between a particular type of medieval art - the sacred image - and its audience, the contributors consider the part played in this relationship by the image's context, whether on the page of a book or on the wall of a building. The book allows the reader to see the fluidity of the sacred image, showing how factors including audience, purpose, and setting affected the form it took.
The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial. Also examined are the differences between images produced for a single viewer and those produced for communities; images produced for private contemplation or devotion and those that functioned within a liturgical setting; and the varying ways in which sacred images affected women and men, religious and secular communities, rulers and the ruled.
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Robert G. Ousterhout is Professor of the History of Art at the University of Pennsylvania, where he directs the Center for Ancient Studies. A specialist in Byzantine art and architecture, his research focuses on the vanishing architectural heritage of the Eastern Mediterranean. He is the author of numerous books, including Master Builders of Byzantium, 2nd edition (2008), The Byzantine Monuments of the Evros/Meric River Valley (2007, with Ch. Bakirtzis), and A Byzantine Settlement in Cappadocia, 2nd edition (2011).
Leslie Brubaker is Professor of Byzantine Art and Director of the Graduate School (College of Arts and Law) at the University of Birmingham. Her previous publications include Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the Homilies of Gregory of Nazianzus (1999) and, with John Haldon, Byzantium in the Era of Iconoclasm: The Sources (2001). She has edited Byzantium in the Ninth Century: Dead or Alive? (1998) and co-edited, with Robert Osterhout, The Sacred Image East and West (1995) and, with Julia M. H. Smith, Gender in the Early Medieval World: East and West, 300 900 (2004).
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Hardcover. Blue cloth with gilt lettering. Glossy blue dj with bw illus. and white lettering. 312 pp. with 103 bw figures. An exploration of how sacred images were perceived during the Middle Ages in Byzantium and Europe. Covers Byzantine panel portraits, The Virgin of Chora, the Liber miraculorum of Unerlinden, frontispiece miniatures of Paris, and more essay on both specific and general iconography/sacred imagery. With insight into socioreligious settings and the differences between images produced for single viewers versus communities; for private contemplation versus devotion; how images affected women and men differently; and more. (paraphrased from the dj). VG- with NF text but light wear to covers/Good+ dj, clean and tight but with light edge wear to top. Seller Inventory # 146963
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Hardback. Condition: Good. Series: Illinois Byzantine Studies. xiii 312p hardback, navy cloth with illustrated blue jacket, good condition, light wear to jacket edges, binding firm, pages neat and bright, light pencil marks to a few pages, text and illustrations very clear and sharp, a good little-used copy Altersfreigabe FSK ab 0 Jahre Language: English. Seller Inventory # 226368
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orig. cloth. 79pp photoplates. (illustrator). 24x16cm, xiii,312 pp., Series: Illinois Byzantine Studies, 4. Contains 10 papers presented at a session of the International Congress on Medieval Studies entitled The sacred image : East and West, sponsored by the Byzantine Studies Conference, held in Kalamazoo, Mich. in 1991. Name on flyleaf. Minor wear. VG., dustwrapper. Seller Inventory # 029608
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