" . . . creates a new definition of American Indian literary texts as a self-representational genre. This is an intelligent and insightful application of post-modern critical methods to American Indian texts. The scope of the study is broad and ambitious, and the attempt to define Indian self-representations from colonial times to the present is innovative and instructive." ―Raymond J. DeMallie
" . . . very suggestive, provocative, engaging . . . ―Studies in American Indian Literatures
" . . . Murray's book establishes itself as the single best introduction to Native American text-making in particular and the betrayals of the translation in general. An essential acquisition for all college and university libraries, and highly recommended for larger public libraries." ―Choice
"It is a pleasure to recommend with wholehearted enthusiasm David Murray's Forked Tongues." ―Western American Literature
"synopsis" may belong to another edition of this title.
A Choice Outstanding Academic Book of 1992
Moving beyond the linguistic truism that an exact equivalency between a text and its translation is impossible, Murray argues that claims for authenticity in the translation of Native American texts are ideologically loaded by the various social and political needs that motivate the act of translation. In doing so, the translator simultaneously displaces and disempowers the native speaker while authenticating himself as able to legitimately and accurately represent form and intent of native discourse. The displacement is rooted in the assumption of most translators about the wholeness of meaning within a closed system of language and culture, a notion Murray effectively deconstructs. Much of the power of Murray's slim volume derives from his clear, forcefully written demonstration of the sociocultural problematics of translation across a number of genres, including oratory, autobiography, and contemporary anthropological textualizations. Both as argument and as demonstration, Murray's book establishes itself as the single best introduction to Native American text-making in particular and the betrayals of the translation in general. An essential acquisition for all college and university libraries, and highly recommended for larger public libraries.June 1992 (A. O. Wiget New Mexico State University)
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Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. 1st Ed. 1st Ptg. Used book that is in clean, average condition without any missing pages. Seller Inventory # 3159025-6
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. 1st Ed. 1st Ptg. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 4625186-6
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Softcover. Condition: Good. 181 pages, bibliography, index. Cover wear, gift inscription inside front cover, but text unmarked. Seller Inventory # 13203
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paperback. Condition: Good. Seller Inventory # mon0003226067
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Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.7. Seller Inventory # G0253206502I3N10
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Soft Cover. Condition: Very Good. A very clean and tight copy. No underlining or highlighting. Seller Inventory # 11356
Seller: Chequamegon Books, Washburn, WI, U.S.A.
Paperback. Condition: Near Fine. Discusses intercultural communication between Indians and whites, and the importance to understanding of accurate translation. Uses the techniques of modern literary theory to analyze texts which claim to represent North American Indians. 181 pages.; 6 x 9 ". Seller Inventory # 35072
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