Latina Performance is a densely theorized treatment of rich materials." ―MultiCultural Review
Arrizón's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." ―Choice
Latina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality.
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A Choice Outstanding Academic Book of 2000
Alicia Arrizón is an Assistant Professor at University of California, Riverside. Her writings on theater and performance have been published in The Drama Review: The Journal of Performance Studies, Ollantay: Theater Magazine, and Mester: Literary Journal.
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Paperback. Condition: Very Good. xxiii, 218 pages, illustrations; 23 cm. Tight, clean copy. Light shelfwear to wraps. "Latina Performance considers the emergence of a Latina aesthetics developed in the United States, but simultaneously linked with Latin America. As dramatists, performance artists, protagonists, and/or cultural critics, the women Arrizon examines in this book draw attention to their own divided position. They are neither Latin American nor Anglo, neither third- nor first-world; they are feminists, but not quite 'American style.' This in-between-ness is precisely what has created Latina performance and performance studies, and has made "Latina" an allegory for dual national and artistic identities." - Publisher. CONTENTS: In quest of Latinidad: identity, disguise, and politics; The Mexican American stage: La Chata Noloesca and Josefina Niggli; Chicana identity and performance art: beyond Chicanismo; Cross-border subjectivity and the dramatic text; Self-representation: race, ethnicity, and queer identity; Final utter-acts. Size: 8vo. Seller Inventory # 088888
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