The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.
Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.
This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.
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Philip A. Greasley, Associate Professor of English and Dean of the University Extension, University of Kentucky, is author of numerous articles on American writers and poets. He is past president of the Society for the Study of Midwestern Literature and the winner of the first Midwest Heritage Prize, established and funded by Gwendolyn Brooks.
A project of the Society for the Study of Midwestern Literature headquartered at Michigan State University, this first volume of a projected three-volume series provides information on the lives and writings of close to 400 midwestern authors. The introductory material defines a 12-state region (Ohio, Michigan, Indiana, Illinois, Wisconsin, Minnesota, Iowa, Missouri, Kansas, Nebraska and the Dakotas) and includes a discussion of midwestern literature and thought. The scope is broad and encompasses journalists, poets, critics, writers of fiction, and playwrights representing a diversity of race, ethnicity, and gender as well as intellectual focus. Criteria for inclusion specify a significant connection between author and the Midwest reflected in writings, a body of writings dealing with life and people of the region, and literary products of quality and significance. The usual authors associated with the midwestern experience--Sherwood Anderson, Willa Cather--are included, as are modern writers such as Jane Smiley and children's author Patricia Polacco.
The individual author entries (signed by more than 100 contributors identified in an appended list) include basic biographical information, descriptions of the author's literary significance, a list of most-significant publications, and suggestions for further reading. The best-known authors are of course included in numerous reference works; one can find sufficient and more expansive discussions of Hamlin Garland or Gwendolyn Brooks in many places. However, quite a few lesser-known figures are included here, both emerging authors and forgotten names who have expressed the midwestern experience in their work. An appendix provides information on the recipients of the MidAmerica Award, an annual award by the Society for the Study of Midwestern Literature to recognize scholars and critics who have made contributions to study of midwestern literature. A detailed index is an aid using this reference work, but it would have been very useful to include indexes by ethnicity, geography, and genre as well.
Volume 2 of this project will provide coverage of nonauthor topics such as sites, movements, influences, themes, and genres. The third volume is to be a literary history of the region. Although it seems that each volume can be used alone, the entire set will provide a unique coverage of the body of literature that communicates the experience, values, and images of the U.S. heartland. Academic and larger libraries in the Midwest will find the most use for these volumes. RBB
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