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Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (October Books) - Hardcover

 
9780262011693: Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (October Books)

Synopsis

Today we are so accustomed to seeing photographs wedded to text—whether in the family album or daily newspaper—that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so years—roughly from the 1840s to the 1880s—during which the photographic image alternately resisted and became assimilated to the printed page.

Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken.

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About the Author

Carol Armstrong is Doris Stevens Professor of Women's Studies in the Department of Art and Archaeology at Princeton University. She is the author of Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (MIT Press, 1998).

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  • PublisherMit Pr
  • Publication date1998
  • ISBN 10 0262011697
  • ISBN 13 9780262011693
  • BindingHardcover
  • LanguageEnglish
  • Edition number1
  • Number of pages511

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hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1998; Massachusetts; black cloth covered boards with gold titles; light edge wear; dust jacket has light edge wear; price sticker on the front cover of the jacket; page ends are soiled; Interior is clean and unmarked; 8vo - over 7 3/4" to 9 3/4" tall; 511 pages. Seller Inventory # SKU1174055

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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-W-003-02118

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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780262011693. Seller Inventory # 4930812

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Hardcover. Black & yellow dustjacket w/ black printing; black cloth boards w/ gilt spine printing; xxiv, 511 pgs w/ bw illustrations. Today we are so accustomed to seeing photographs wedded to text - whether in the family album or daily newspaper - that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image and the forty or so years - roughly from the 1840s to the 1880s - during which the photographic image alternately resisted and became assimilated by the printed page.-- DJ. VG (Scuffs & scratches to cloth; shelf-wear to DJ surface, edges & corners; interior is in excellent condition; binding is solid.). Seller Inventory # 201184

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