Chronicles the suppression of a thriving oral-visual culture of the early modern period in favor of the current text-centered culture where the mistrust of visual information shapes approaches to education. Stafford's reinterpretation casts many paintings as instances of an instructive art of demonstration. The enlightener's association of sensory evidence with deception led to the submergence of a "tricking" oral visual culture by "serious" mass literacy drives. With the onset of computer graphics, Stafford suggests fresh ways of putting intelligence, enjoyment, and communicative power back into thinking with images. Many examples are reproduced in black and white. Annotation copyright Book News, Inc. Portland, Or.
"synopsis" may belong to another edition of this title.
Barbara Stafford is the William B. Ogden Distinguished Service Professor of Art History at the University of Chicago. She is the author of Good Looking, Artful Science, Body Criticism, and Voyage into Substance (all published by MIT Press).
A scholarly and lucid analysis of the replacement of an oral-visual culture in favor of a text-centered one.
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