Items related to Digital Signatures: The Impact of Digitization on Popular...
- PublisherMIT Press
- Publication date2023
- ISBN 10 0262549638
- ISBN 13 9780262549639
- BindingPaperback
- LanguageEnglish
- Number of pages198
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Digital Signatures: The Impact of Digitization on Popular Music Sound (Paperback or Softback)
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MIT Press 10/31/2023, 2023
ISBN 10: 0262549638
ISBN 13: 9780262549639
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Paperback or Softback. Condition: New. Digital Signatures: The Impact of Digitization on Popular Music Sound 0.66. Book. Seller Inventory # BBS-9780262549639
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Digital Signatures
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Digital Signatures
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Digital Signatures: The Impact of Digitization on Popular Music Sound
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Digital Signatures: The Impact of Digitization on Popular Music Sound
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MIT Press Ltd, 2023
ISBN 10: 0262549638
ISBN 13: 9780262549639
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Digital Signatures: The Impact of Digitization on Popular Music Sound
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Paperback. Condition: Brand New. 200 pages. 9.00x6.00x0.50 inches. In Stock. Seller Inventory # x-0262549638
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Digital Signatures : The Impact of Digitization on Popular Music Sound
Print on DemandSeller: AHA-BUCH GmbH, Einbeck, Germany
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How sonically distinctive digital "signatures"including reverb, glitches, and autotuningaffect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.Is digital production killing the soul of music Is Auto-Tune the nadir of creative expression Digital technology has changed not only how music is produced, distributed, and consumed but alsoequally important but not often consideredhow music sounds. In this book, Ragnhild Brøvig and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive "digital signatures"musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuningall of which they analyze in specific works by popular artists.Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Brøvig and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's "Get Out of My House"; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's "Stranger"; and they describe the development of Auto-Tuneat first a tool for pitch correctioninto an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga. Seller Inventory # 9780262549639
Quantity: 1 available
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Digital Signatures
Print on DemandSeller: moluna, Greven, Germany
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ragnhild Brøvig is Professor in the Department of Musicology at the University of Oslo.Anne Danielsen is Professor in the Department of Musicology at the University of Oslo.How sonically distinctive digital &ldquosignatures&rdquo&mda. Seller Inventory # 1131850009
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Digital Signatures (Paperback)
Seller: CitiRetail, Stevenage, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: new. Paperback. How sonically distinctive digital "signatures"-including reverb, glitches, and autotuning-affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.How sonically distinctive digital "signatures"-including reverb, glitches, and autotuning-affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.Is digital production killing the soul of music? Is Auto-Tune the nadir of creative expression? Digital technology has changed not only how music is produced, distributed, and consumed but also-equally important but not often considered-how music sounds. In this book, Ragnhild Br vig and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive "digital signatures"-musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuning-all of which they analyze in specific works by popular artists.Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Br vig and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's "Get Out of My House"; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's "Stranger"; and they describe the development of Auto-Tune-at first a tool for pitch correction-into an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780262549639
Quantity: 1 available