First issued in 1950 under the title Consort of Taste, the reappearance of this book is heralded by Sir Nikolaus Pevsner as "right and proper. It was a pioneering study when it came out; now, after general evaluation of matters of Victorian art and architecture has changed so rapidly, it can with confidence be called a classic."
The book discusses both strange and familiar aspects of the Early and High Victorian decades, bringing to light such important but little-known figures as: Anna Jameson, G. F. Waagen, Sir Francis Palgrave, William Bell Scott, and Sir Charles and Lady Eastlake. Steegman's major discovery, however, was Elizabeth Eastlake, a regular contributor to the Quarterly Review (from which much of the book's material has been taken) and an astute commentator on events of the day. She figures prominently in the book "because she so well typifies that upper middle-class society, living chiefly on earned incomes, which contrived to keep one foot in the intellectual and the other in the fashionable camp, and which did so much to form Victorian culture."
In an attempt to establish what was considered good or bad by critical and intelligent minds of the day, and why it was so considered, the book covers the influence of the German Nazarene taste on England; the efforts of Prince Albert to promote historical and literary wall painting and "serious moral art" (the Italian primitives, Cranach, Overbeck, Dyce, and Augustus Egg); the Government Schools of Design; collectors and the "new connoisseurship." "Now," concludes Pevsner, "if on all these enterprises and the Arundel Society prints and the [Great Exhibition] of 1851 and so much else John Steegman tells us are as much as need be known and tells it so well and knowledgeably, it must be remembered that the specialists' books which we now have were all written later." Thus the book remains an original, entertaining, and objective account of taste in the Victorian era.
"synopsis" may belong to another edition of this title.
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Paperback. Condition: Very Good. First M.I.T. Paperback Edition. This copy is VG ; the text is clear, bright, and unmarked except for a name hand-written top inside cover; binding is tight, but edges show slightest aging. STATED FIRST M.I.T. PAPERBACK EDITION The covers are very good: intact in all ways, including color and design, but white has turned to ivory, sunning on spine and on front and back along spine and edges show slightest wear. We have a five star rating because of our fulfilment success and because our descriptions are accurate. On foreign sales, because of the heavy weight of this book, we have to charge extra for shipping: however, we will only charge the difference between our regular shipping rate and the extra charge that the U.S.Post Office asks to ship the book. We guarantee: NO NASTY SURPRISES. Seller Inventory # 005872
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Seller: Hammonds Antiques & Books, St. Louis, MO, U.S.A.
Softcover. good condition with minor soiling wraps have minor soiling; wraps have minor soiling; LIB2958003020; 338 pages; Introduction by Sir Nicholaus Pevsner. Seller Inventory # 62539
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Trade Paperback. Condition: Like New. 1st MIT Press Paperback Edition: April19. 338 pp. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Minimal discoloration over spine. Seller Inventory # 5iAb0013
Seller: FESTINA LENTE italiAntiquariaat, Lucca, LU, Italy
Paperback. Condition: Good condition. First M.I.T. Press paperback edition. Foreword by Nikolaus Pevsner. First issued in 1950 under the title 'Consort of Taste', the reappearance of this book is heralded by Sir Nikolaus Pevsner as 'right and proper. It was a pioneering study when it came out - now, after general evaluation of matters of Victorian art and architecture has chsnged so rapidly, it can with confidence be called a classic'. Contents: 1). The opening scene. 2). Painting in Germany and England 1830-50. 3). Collectors and connoisseurs. 4). Architectural critics and the olden-time. 5). Architecture 1830-50. 7). The Pre-Raphaelite Brotherhood. 8). Mid-century: The Eastlakes and ohers. 9). The great exhibition. 10). The 1850's: the new connoisseurship. 11). Painting and photography 1850-70. 12). Later views on architecture. 13). Ornaments and flowers. With epilogue: Prince Albert, the Queen and the Eastlakes. Notes and index. 24 illustrations. Sir Nikolaus Bernhard Leon Pevsner (1902 - 1983) was a German-born British scholar of history of art and, especially, of history of architecture. VIII + (6) + 338 pag. Size: 21,5cmx13,5cm. Seller Inventory # 029372