Robert Venturi's Complexity and Contradiction in Architecture and Learning from Las Vegas (the latter coauthored with Denise Scott Brown and Steven Izenour) are among the most influential books by any architect of our era -- the one celebrating complexity in architecture, the other the uses of symbolism in commercial and vernacular architecture and signage. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol.The voice is personal -- eloquent in expounding on the unglamorous side of practice; sometimes vituperative and corrective in addressing clients, theoreticians, and critics; often amusing and humorous in looking back on past projects and opportunities; instructive in describing early influences and tastes; and reflective in assessing his own impact on the profession.The essays include Venturi's 1950 M.F.A. thesis, published here for the first time -- a work that foreshadows many of the themes that were later to make him a controversial and ground-breaking architect and writer -- and a series of vintage Venturi aphorisms.
"synopsis" may belong to another edition of this title.
While writing a speech about the visual antecedents of the World Wide Web, I came across a copy of Robert Venturi's Learning From Las Vegas, and realized that much of what Venturi has to say in the '50s about Las Vegas architecture had great similarities to the appropriation of physical metaphors in cyberspace, and the compression of space and time into flatspace.
Iconography and Electronics... is a thought-provoking collection of Venturi's essays, screeds, and articles (episodically) exploring the use of electronics in architectural design (despite the title's promise). Regardless of what you think of Venturi's architecture you are sure to be stimulated and challenged by his proposed marriage of the physical and the digital. However, if you've not read much architectural theory before, be forewarned: Venturi, like most in his field, prefers a turgid and dense style that sometimes seems to be the illegitimate spawn of early 20th century continental philosophy and MFA thesis proposals. Nonetheless, this book is Recommended.
Robert Venturi is an award-winning architect and an influential writer, teacher, artist, and designer. His work includes includes the Sainsbury Wing of London's National Galler; renovation of the Museum of Contemporary Art, San Diego; dozens of major academic projects; and the groundbreaking Vanna Venturi House.
"About this title" may belong to another edition of this title.
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Trade Paperback. Condition: Near Fine. 1st Edition. First Edition, First Printing. Trade PB in illustrated wraps. Near Fine w/bent corners intruding lightly into book, else About Fine and unmarked. 374pp; illustrated in 91 plates. 390 p. Book. Seller Inventory # 036658
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Seller: Chaparral Books, Portland, OR, U.S.A.
Paperback. Condition: Good. First Edition. 1996. Inscribed by Venturi on the half-title page. Some spine creases, but the binding remains tight and sound. Text and images unmarked. The wrapper shows some general handling. 8vo. 374pp. Signed by Author. Seller Inventory # CHAPvenIE
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Color illus. wraps; 374 pp.; 91 bw figures. A collection of essays by Venturi, including his 1950 MFA thesis. VG- (Inscription on title page and a few markings in table of contents; Spine slightly bent, but binding tight). Seller Inventory # 114741
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Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9780262720298. Seller Inventory # 4924762
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