A selection of the best songs of the Spanish Renaissance—hitherto unavailable or inaccessible in modern form is presented here in an annotated edition. Although two of the great collections of vihuela music, those of Milan and Fuenllana, have been published in modern editions under Charles Jacobs's editorship, other sources until now remained essentially untapped. This book offers a selection of songs from such collections as those by Narvaez (1538), Mudarra (1546), Valderrabano (1547), Pisador (1552), and Daza (1576).
The music presented in A Spanish Renaissance Songbook represents a rich and varied repertory of solo songs accompanied by the vihuela, the six-course parent of the guitar. The vihuela music is presented on a bi-staff system, for the sake of clarity and ease of performance on a keyboard instrument as well as the guitar or lute. The notes include comments about the songs' composition, original publication, and early performance, together with translations of the lyrics and assessments of their literary value.
With the publication of this book, the best songs of 16th-century Spain are available for modern instrumental and vocal performers and students of the period.
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Charles Jacobs is editor of Luis de Milan's El Maestro, Antonio Valente's Intavolatura de Cimbalo, Miguel de Fuenllana's Orphenica Lyra, LeRoy and Ballard's 1572 Mellange de Chansons, Frescobaldi's Il Primo Libro de Madrigali a cinque voci the works of Antonio de Cabezon and the music of Elias Nicolaus Ammerbach. In a departure from his work in the Renaissance and early baroque, Dr. Jacobs has prepared an edition of Hindemith's When Lilacs Last in the Dooryard Bloom'd. He is Distinguished Professor of Music at the City University of New York.
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Book Description Hardcover. Condition: Very Good. Annotated edition. Hardcover, no dj. Light shelfwear to covers. Contents clean and tight. 176 pages, notes. Seller Inventory # 18881a