When the French edition of Confronting Images appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an “underside” in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend,...
Georges Didi-Huberman is on the faculty of the École des hautes études en sciences sociales in Paris. His books include Fra Angelico: Dissemblance and Figuration (1995), Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtriére (2003), and The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art (forthcoming from Penn State Press).
“Art history, Didi-Huberman argues, has had to ‘kill’ the symptomatic image, deny its violence and its ‘dissembling,’ in order to preserve its true object, art. Confronting Images is arguably the most important book-length analysis of the conceptual foundations of the discipline, and critique of the discipline, in any language.”
—Christopher Wood, Yale University
“Though Devant l’image resembles The Pleasure of the Text in its central dialectic, it actually does what Barthes...
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2.0 x 14.0cms 310pp b/w illusts very good+ hardback & dustwrapper The chapters are: question posed; the history of art within the limits of its simple practice; art as rebirth & the immortality of the ideal man; the history of art within the limits of its simple reason; the image as rend & death of God incarnate; the detail & the pan. Seller Inventory # 30099234
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