Until relatively recently, most scholars considered the notion of a Catholic enlightenment either oxymoronic or even illusory, since the received wisdom was that the Catholic Church was a tireless and indefatigable enemy of modernist progress. According to Christopher Johns, however, the eighteenth-century papacy recognized the advantages of engaging with certain aspects of enlightenment thinking, and many in the ecclesiastical hierarchy, both in Italy and abroad, were sincerely interested in making the Church more relevant in the modern world and, above all, in reforming the various institutions that governed society. Johns presents the visual culture of papal Rome as a major change agent in the cause of Catholic enlightenment while assessing its continuing links to tradition. The Visual Culture of Catholic Enlightenment sheds substantial light on the relationship between eighteenth-century Roman society and visual culture and the role of religion in both.
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Christopher M. S. Johns is the Norman and Roselea Goldberg Professor of History of Art at Vanderbilt University.
—Dorothy Johnson, University of Iowa
“This is a wonderfully comprehensive and stimulating book on the reforming impulse of the Catholic Church in the middle decades of the eighteenth century and its impact on art and visual culture, particularly in Rome. Christopher Johns addresses the question ‘What was Catholic enlightenment?’ from the disciplines of cultural, intellectual, and art history, and his research has resulted in a delightful book that will be of considerable interest to a wide variety of readers. Jansenism, sumptuary laws, enlightened Catholic ideas about the connection between faith and science, and coffee drinking in the middle decades of the eighteenth century are but a few of the topics he discusses. Art and architectural historians with an interest in Settecento Rome will find the book particularly interesting.”
—Edgar Peters Bowron, Museum of Fine Arts, Houston
“This magisterial study reveals the artistic vibrancy and intellectual ferment at the heart of the Catholic enlightenment. It upends old notions of the Church as a passive spectator of cultural change and reveals the myriad and dynamic ways in which the Roman hierarchy engaged the new ideas, new sensibilities, and new institutions that transformed Europe during the eighteenth century.”
—Jeffrey Collins, Bard Graduate Center
“This magnificently illustrated book, which also explores notions of Italian Jansenism, makes us aware that eighteenth-century popes recognized the advantages of engaging with certain aspects of Enlightenment thinking and explains why utility was such a prominent topic of the Enlightenment era, not only in hagiography, but also in urbanization and architecture. . . . It should interest not only every student and scholar of eighteenth-century visual culture, but historians of the Church as well.”
—Dries Vanysacker, Renaissance Quarterly
“This is a wonderful, odd, challenging book. Wonderful because it is learned, informative, and engaging. Odd because it brings together ideas, events, and institutions that often are thought of as disparate and even antithetical. Challenging because by means of patient argument and accumulation of evidence, Christopher Johns disturbs many long-held assumptions about his subjects. . . . Johns opens our minds and eyes to creative acts, ideas, and works that have long been overshadowed by theories and events that seemed to have little or no positive relation to the religion of the time. This is not only a good book to look at, but a very good book to read.”
—Robert Kiely, Eighteenth-Century Life
“The Visual Culture of Catholic Enlightenment will surely prove to be the fundamental text on its subject and, broadening our understanding of the Enlightenment more generally, makes an important contribution to many areas of scholarship.”
—Carole Paul, Journal of the Society of Architectural Historians
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