Drawing of decades of practical experience David Howard deconstructs the craft of screenwriting and reveals how to build a good story from the ground up. Eschewing the 'system' provided by other books he emphasises that a good screenplay requires dozens of decisions by the author to make it unique, to allow it to take on a life of its own.
David Howard offers in-depth lessons in:
- How to build a story, and how to involve the audience in the story
- The creation of drama
- Creating living characters and their motivation
- How to weave in subplots
- Storytelling myths, legends and lies.
Throughout the book, each lesson is clarified through examples from some of the most successful movies ever, including Pulp Fiction, American Beauty, Chinatown, Saving Private Ryan and The Usual Suspects.
"synopsis" may belong to another edition of this title.
David Howard is the founding director of the graduate screenwriting program at USC, where he teaches various courses in screenwriting. His students have scripted such successful films as The Hand That Rocks the Cradle, Air Force One, Permanent Midnight, and Natural Born Killers. The coauthor (with Edward Mabley) of The Tools of Screenwriting, he lives in Los Angeles, California.
“How to Build a Great Screenplay” is insightful, riveting, clear, concise and to the point. It’s a screenwriter’s screenwriting book packed with practical as well as theoretical insights. If you’re serious about screenwriting -- start here, and if you’re a twenty-year veteran, this is the place to take a refresher course. I came away from reading this book inspired with a renewed sense of purpose on why I write screenplays. This isn’t a book -- it’s an education!” ―Jack Epps Jr., screenwriter Top Gun, Dick Tracy, Turner & Hooch, The Secret of My Success, and Legal Eagles.
“David Howard's How To Build A Great Screenplay is a rarity - not merely a 'how to' guide, but the most comprehensive and thoughtful examination of storytelling, and as close to an entire graduate writing program, as one is likely to find within the covers of a single book.
” ―Adam Belanoff, writer and producer on Cosby and Murphy Brown, and writer on Wings
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