Winner, A Choice Magazine Outstanding Academic Book
Leopoldo Méndez (1902-1969) was one of the most distinguished printmakers of the twentieth century, as well as one of Mexico's most accomplished artists. A politically motivated artist who strongly opposed injustice, fascism, and war, Méndez helped form and actively participated in significant political and artistic groups, including the Estridentistas in the 1920s and the Liga de Escritores y Artistas Revolucionarios (LEAR) and the Taller de Gráfica Popular (TGP) in the 1930s. To champion Mexican art and artists, Méndez also founded and directed the Fondo Editorial de la Plástica Mexicana, a highly respected art book publishing company.
Leopoldo Méndez is the first book-length work in English on this major Mexican artist. Profusely illustrated with over one hundred and fifty images, it examines the whole sweep of Méndez's artistic career. Deborah Caplow situates Méndez within both Mexican and international art of the twentieth century, tracing the lines of connection and influence between Méndez and such contemporaries as David Alfaro Siqueiros, Diego Rivera, José Clemente Orozco, and printmaker José Guadalupe Posada. Caplow focuses on the period in the 1930s when Méndez and his fellow artists in LEAR and TGP played a key role in the development of a Mexican political art movement and a modern Mexican cultural identity. She also describes how Méndez created a body of powerful anti-Fascist images before and during World War II and subsequently collaborated with artists from Mexico and around the world on political printmaking, in addition to publishing books and creating prints for films by the eminent Mexican cinematographer, Gabriel Figueroa.
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Deborah Caplow is a lecturer in art history at the University of Washington, where she teaches a variety of courses, including Mexican art.
"Caplow presents a valuable survey of Mendez's career, with nine chapters following the artist from his formation at the Academy of San Carlos in Mexico City to the last works executed before his death in 1969...offers many hitherto unpublished insights into Mendez's career and TGP operations...the book is richly illustrated. Its journalistic writing style, periodically punctuated by romantic defences of the artist, is easily accessible for all audiences...Caplow's book makes a valuable contribution to the scholarship on Mexican printmaking." Kelly Donahue-Wallace, Print Quarterly, XXV, 2008
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