Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents.
The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction.
Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.
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Sam DeShong Ratcliffe is head of special collections at the Hamon Arts Library of Southern Methodist University. He holds a Ph.D. in American Civilization from the University of Texas at Austin.
Covering a span of time from prehistory to the early 20th century, Ratcliffe examines Texas painting in its historical context. This is not art criticism but history using early paintings as a vehicle. Ratcliffe emphasizes the discrepancy between fact and myth, truth and legend, and he is to be commended for daring to dissect the sacred myths these paintings depict. A vast amount of history is covered quickly, with the more exciting 1800s assessed at a slower pace. The color plates are sharp and clear, though the black-and-white illustrations are sometimes murky. Though this is a very interesting book, it is not appropriate for the casual reader. Recommended for academic libraries, larger public libraries, and Texana collections everywhere.
- Kate Ellis, Baldwin Boettcher Lib., Humble, Tex.
Copyright 1993 Reed Business Information, Inc.
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