The Voice of the Masters: Writing and Authority in Modern Latin American Literature (Latin American Monographs)

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9780292787094: The Voice of the Masters: Writing and Authority in Modern Latin American Literature (Latin American Monographs)

By one of the most original and learned critical voices in Hispanic studies— a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature.

An ideology is implicit in modern Latin American literature, argues Roberto González Echevarría, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature.

In The Voice of the Masters, González Echevarría attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, "To have written a sustained, expository book ... would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature.... I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture."

Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortázar, Fuentes, Gallegos, García Márquez, Roa Bastos, and Rodó are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, González Echevarría brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante's "Meta-End," the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text.

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About the Author:

Roberto Gonzalez Echevarria is Sterling Professor of Hispanic and Comparative Literatures at Yale University.

Review:

"A very rich and lucid critical meditation on the language of literature in Spanish America ... an original and thought-provoking book." (Sylvia Molloy, Emery L. Ford Professor of Spanish, Princeton University)

"About this title" may belong to another edition of this title.

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Book Description University of Texas Press, United States, 1988. Paperback. Book Condition: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****. By one of the most original and learned critical voices in Hispanic studies- a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto Gonzalez Echevarria, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, Gonzalez Echevarria attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, To have written a sustained, expository book . would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature. I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture. Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortazar, Fuentes, Gallegos, Garcia Marquez, Roa Bastos, and Rodo are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, Gonzalez Echevarria brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante s Meta-End, the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text. Bookseller Inventory # APC9780292787094

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Book Description University of Texas Press, United States, 1988. Paperback. Book Condition: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****.By one of the most original and learned critical voices in Hispanic studies- a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto Gonzalez Echevarria, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, Gonzalez Echevarria attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, To have written a sustained, expository book . would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature. I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture. Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortazar, Fuentes, Gallegos, Garcia Marquez, Roa Bastos, and Rodo are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, Gonzalez Echevarria brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante s Meta-End, the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text. Bookseller Inventory # APC9780292787094

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Book Description University of Texas Press. Paperback. Book Condition: New. 207 pages. Dimensions: 9.0in. x 5.9in. x 0.6in.By one of the most original and learned critical voices in Hispanic studies a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto Gonzlez Echevarra, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, Gonzlez Echevarra attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, To have written a sustained, expository book . . . would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature. . . . I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture. Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortzar, Fuentes, Gallegos, Garca Mrquez, Roa Bastos, and Rod are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, Gonzlez Echevarra brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infantes Meta-End, the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780292787094

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