This two-volume set, including Over the Line: The Art and Life of Jacob Lawrence and Jacob Lawrence: Paintings, Drawings, and Murals (1935-1999), A Catalogue Raisonne, is the definitive publication on the work of artist Jacob Lawrence. The result of six years of research by the Jacob Lawrence Catalogue Raisonne Project, led by Peter T. Nesbett and Michelle DuBois, the books identify, authenticate, and document over 900 paintings, drawings, and murals created by Jacob Lawrence between 1935 and 1999―over half of them discovered by the project. Over the Line includes essays by eight distinguished art historians considering the ways in which Lawrence's art speaks so powerfully to different audiences and examining for the first time the breadth and depth of his output.
Intimate in scale and bold in content, Lawrence's candid portrayals of life in Harlem during the Depression and his epic multi-panel series painted in the late 1930s and early 1940s are the cornerstones of his aesthetic production. His paintings, drawings, and murals depict both critical moments in history and poignant struggles of everyday life. The subject matter ranges from unforgiving portrayals of racial injustice to compassionate scenes of family life, from unnerving images of nuclear annihilation to visual celebrations of such heroic individuals as Frederick Douglass and Harriet Tubman. His use of the series format and his attention to pressing social issues accord him a unique position in the history of American modernism.
Born in 1917, Jacob Lawrence spent his childhood in New York City, attending classes at the Harlem Community Art Center and the American Artists School, and later working for the Federal Art Project. While still in his twenties Lawrence exhibited his paintings at major museums across the country, including the Phillips Collection, the Metropolitan Museum of Art, the Art Institute of Chicago, and the Museum of Modern Art in New York, where he became the first African American artist to have work represented in the permanent collection. He lived, painted, and taught in New York City until 1971, when he joined the faculty of the University of Washington. He is the recipient of numerous awards including the National Medal of Arts.
The contributors to Over the Line include Lizzetta LaFalle Collins; Patricia Hills, Boston University; Elizabeth Hutton-Turner, the Phillips Collection; Paul Karlstrom, West Coast Archives of American Art; Leslie King-Hammond, Maryland Institute; Richard Powell, Duke University; Lowery Stokes Sims, Studio Museum in Harlem; and Elizabeth Steele, the Phillips Collection.
"synopsis" may belong to another edition of this title.
This magnificent two-volume study of the dynamic and deeply humanitarian work of one of our greatest African American artists, illustrated with a wealth of jewellike color reproductions, enables readers to fully appreciate the radiant hues, boldly faceted compositions, and grand scope of Lawrence's virtuosic oeuvre for the first time. A catalogue raisonne presents more than 900 paintings, drawings, and murals, most never before published. The companion volume, Over the Line, contains eight insightful and lucent critical and biographical essays by such experts as Lowery Stokes Sims, director of the Studio Museum in Harlem, and the widely published art historians Leslie King-Hammond and Richard J. Powell. These groundbreaking interpretations illuminate Lawrence's formative years in Harlem during the 1930s and his lifelong mission to "picture an untold story," the African American experience, by celebrating iconic figures such as Frederick Douglass and Harriet Tubman as well as countless unnamed heroes and heroines who overcame prejudice and poverty. Lawrence's key themes, innovative techniques and styles, and mid-career shift from narrative images to more abstracted and jazzy creations are all deftly analyzed. Lawrence passed away as the books went to press, but he and his wife of 59 years, Gwendolyn Knight, were integrally involved in the project, so he knew that his life's work would be preserved, and indeed, this solid appreciation of Lawrence's vibrant, compassionate, and poetically improvisational work will stand as a support beam in the edifice of American art. Donna Seaman
Copyright © American Library Association. All rights reserved
"About this title" may belong to another edition of this title.
Seller: MadGrad Books, Charlotte, NC, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Ships within 24 hours! Two (2) Excellent condition books with minimal wear. Includes plastic translucent slipcover that has some wear. Pages crisp, clean with no markings. Facsimile signed (some sellers will claim it is originally signed, but note the signature on mine looks just like the rest). Always courteous and honest service! Publisher: University of Washington Press Publication date: 2000 Language: English ISBN-10: 0295979631 ISBN-13: 9780295979632 Item Weight: 9 pounds Dimensions: 10 x 2.25 x 11.75 inches. Seller Inventory # 202606250050734A2N
Seller: Arundel Books, Seattle, WA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A fine set. 2 hardcover volumes in dust jackets and publisher's slipcase. (PLEASE NOTE: due to the size and weight of this book it will require additional charges for overseas and expedited shipping.). Seller Inventory # 667404
Seller: curtis paul books, inc., Crestline, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Two volumes in frosted plastic slipcase; facsimile signature to front of slipcase. Minor heel bump to one volume, else fine; the other volume is fine/fine. The slipcase is fine.; 1935-1999; 10 X 2.25 X 11.75 inches; 0 pages. Seller Inventory # 59908
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condition: NEW. Dust Jacket Condition: NEW. Slp. Two volume set. Both volumes are in New condition. However, there is damage to the plastic slipcase. Essays by eight distinguished art historians examine the ways in which Jacob Lawrence's art speaks so powerfully to different audiences. An extensive chronology is illustrated with family photos. 261 illustrations. Seller Inventory # 2033888
Seller: Magus Books Seattle, Seattle, WA, U.S.A.
Hardcover. Condition: VG. Dust Jacket Condition: Very Good. 2 vol. hardcover set in translucent slipcase. both volumes are used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Seller Inventory # 1550928
Seller: HM Books, Kingston, NY, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: dj. 2 volume set including Over the Line: The Art and Life of Jacob Lawrence and Jacob Lawrence: A Catalogue Raisonne. Bound in shrink wrap but unfortunately yellowing on the top edge and pastedown. Seller Inventory # mon0000015543
Seller: Ursus Books, Ltd., New York, NY, U.S.A.
Nesbett, Peter T. and Michelle DuBois. The Complete JACOB LAWRENCE. Two Volumes; volume I: 'Over the Line: The Art and Life of Jacob Lawrence': 286 pp., 95 plates and 135 figures, most in colour; volume II: 'Jacob Lawrence: Paintings, Drawings, and Murals (1935-1999)'. A Catalogue Raisonne: 344 pp., roughly 800 colour illustrations. 4tos, cloth, slipcased. Seattle, University of Washington Press, in conjunction with the Jacob Lawrence Catalogue Raisonné Project, 2000. . This 2-volume set is the definitve publication on the work of Jacob Lawrence. It identifies, authenticates, and documents over 900 paintings, drawings, and murals created by Lawrence between 1935-1999, over half of them discovered in the course of writing this book. Included are essays by eight notable art historians examining the artist's career in depth, . Seller Inventory # 90556
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth with Plastic Slipcase. Condition: Near Fine. Dust Jacket Condition: Fine Condition. Two hardcover volumes in a frosted plastic slipcase. Volume 1 is 286 pages. Volume 2 is 346 pages. Both volumes are in crisp, tight, bright, clean and essentially new condition. There is a 2 inch horizontal crack in the slipcase at the rear of the box, but otherwise in fine condition. Texts in English, with a profusion of full color illustrations. As the title suggests, this is the definitive compendium on the work of the artist. An overall attractive and handsome presentation that contains some major scholarly research. Book. Seller Inventory # 025707
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. 2 volume set in translucent plastic slip case with title tag on front panel. Quarto. Hardcover. Blue and red cloth in illustrated jacket. 285 and 343 pages. illustrations (some color), portraits ; 30 cm. VG. Some wear to covers. Else clean and unmarked. Signed on the front of the slipcase by Lawrence. Seller Inventory # 210067
Seller: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condition: As New. This two-volume set, including Over the Line: The Art and Life of Jacob Lawrence and Jacob Lawrence: Paintings, Drawings, and Murals (1935â"1999), A Catalogue Raisonnà , is the definitive publication on the work of artist Jacob Lawrence. The result of six years of research by the Jacob Lawrence Catalogue Raisonnà Project, led by Peter T. Nesbett and Michelle DuBois, the books identify, authenticate, and document over 900 paintings, drawings, and murals created by Jacob Lawrence between 1935 and 1999â"over half of them discovered by the project. Over the Line includes essays by eight distinguished art historians considering the ways in which Lawrenceâs art speaks so powerfully to different audiences and examining for the first time the breadth and depth of his output. Intimate in scale and bold in content, Lawrenceâs candid portrayals of life in Harlem during the Depression and his epic multi-panel series painted in the late 1930s and early 1940s are the cornerstones of his aesthetic production. His paintings, drawings, and murals depict both critical moments in history and poignant struggles of everyday life. The subject matter ranges from unforgiving portrayals of racial injustice to compassionate scenes of family life, from unnerving images of nuclear annihilation to visual celebrations of such heroic individuals as Frederick Douglass and Harriet Tubman. His use of the series format and his attention to pressing social issues accord him a unique position in the history of American modernism. Born in 1917, Jacob Lawrence spent his childhood in New York City, attending classes at the Harlem Community Art Center and the American Artists School, and later working for the Federal Art Project. While still in his twenties Lawrence exhibited his paintings at major museums across the country, including the Phillips Collection, the Metropolitan Museum of Art, the Art Institute of Chicago, and the Museum of Modern Art in New York, where he became the first African American artist to have work represented in the permanent collection. He lived, painted, and taught in New York City until 1971, when he joined the faculty of the University of Washington. He is the recipient of numerous awards including the National Medal of Arts. The contributors to Over the Line include Lizzetta LaFalle Collins; Patricia Hills, Boston University; Elizabeth Hutton-Turner, the Phillips Collection; Paul Karlstrom, West Coast Archives of American Art; Leslie King-Hammond, Maryland Institute; Richard Powell, Duke University; Lowery Stokes Sims, Studio Museum in Harlem; and Elizabeth Steele, the Phillips Collection. Seller Inventory # C86550