The default setting of England is anger. The English are naturally, congenitally, collectively and singularly livid much of the time. In between the incoherent bellowing of the terraces and the pursed, rigid eye-rolling of the commuter carriage, they reach the end of their tethers and the thin end of their wedges.
Perhaps aware that they're living on top of a keg of fulminating fury, the English have, throughout their history, come up with hundreds of ingenious and bizarre ways to diffuse anger or transform it into something benign. Good manners and queues, roundabouts and garden sheds, and almost every game ever invented from tennis to bridge. They've built things, discovered stuff, made puddings, written hymns and novels, and for people who don't like to talk much, they have come up with the most minutely nuanced and replete language ever spoken - just so there'll be no misunderstandings.
The English itch inside their own skins. They feel foreign in their own country and run naked through their own heads. They are often admirable but rarely loveable. An Englishman's greatest achievement is in resisting his national inclination to go tonto with an axe in a cul-de-sac. This book hunts down the causes and the results of being the Angry Island.
"synopsis" may belong to another edition of this title.
AA Gill was born in Edinburgh. He is the author of two novels, Sap Rising (1997) and Starcrossed (1999), books on two of London's most famous restaurants, The Ivy and Le Caprice, and a travel book, AA Gill is Away. He is the TV and restaurant critic for the Sunday Times and is a contributing editor to GQ magazine. He lives in London and spends much of his year travelling.
Foreword
This is a collection of prejudice. Opinions based on a lifetime's experience. Identifying what it is that makes a nation a people and not just a random collective of individuals who happen to share the same geography is a risky business, but we all know that nations are recognizable and different from each other. It's almost too obvious to dispute that Canadians are not like Brazilians and the Irish are not synonymous with the Jews. A national character, when self-defined, is the stuffing of patriotism and pride. It is also the source of umbrage when the observation is made by foreigners.
The English are the most enigmatically indecipherable people when seen from outside. Even from the inside, what is definable isn't always understandable. Their homespun enigma is itself part of the carefully engineered English mythology. When I was first considering writing this book, an American said: Oh God, please, write an owner's manual for the English. We look at them and they're so familiar, but so alien and weird. I have no idea how you make or repair an Englishman.
This isn't quite an owner's manual, but it is a series of observations drawn from having lived amongst the English but never having felt one of them. This is not a book of facts. Facts are inert things. Facts are what pedantic, dull people have instead of opinions. Opinions are always interesting. What people deduce and make out of their own lives is what attracts and informs. Never mistake a fact for the truth. The English, of course, are inordinately fond of facts -- they hoard them and throw them through the windows of home truths. But facts are only the scaffolding, the trellis up which bright opinions are grown. So don't look for proofs here, there's precious little forensic evidence. This is just what I know to be true.
Copyright © 2005 by A. A. Gill
"About this title" may belong to another edition of this title.
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