Released in 1943, Air Force was immediately hailed as the definitive "patriotic heart-throb in celluloid" that America, engulfed in war and passionately bent on victory, was primed to embrace. Lawrence Suid charts the evolution of this cinematic success in his introduction to the screenplay, tracing the tangled network of artistic, military, and nationalist interests that molded this film and made it, even after the martial fervor had settled, a standard against which all future films about war would be measured.
Throughout the filming, there was tension between the aims of the War Department and those of Howard Hawks. Hawks would ultimately produce more than stilted propaganda: it is the skillfully modulated tension, the ambience of men in war, and the total immersion in action and adventure that make this a Hollywood classic still savored and studied today.
"synopsis" may belong to another edition of this title.
Lawrence Suid is a historian and freelance writer. His publications include Guts and Glory (1978), a study of the military's influence on the American film industry.
Tino Balio is professor emeritus of film in the Department of Communication Arts at the University of Wisconsin–Madison and former director of the Wisconsin Center for Film and Theater Research. He is author of United Artists, Volume 1, 1919–1950 and Volume 2, 1951–1978 as well as Grand Design: Hollywood as Modern Business Enterprise, 1930–1939. He is editor of The American Film Industry and Hollywood in the Age of Television.
"About this title" may belong to another edition of this title.
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