Religion and the Culture of Print in Modern America (Print Culture History in Modern America) - Softcover

Softcover

ISBN 10: 0299225747 ISBN 13: 9780299225742

Publisher: University of Wisconsin Press, 2008

Synopsis

Ovid's Art of Love (Ars Amatoria) and its sequel Remedies for Love (Remedia Amoris) are among the most notorious poems of the ancient world. In AD 8, the emperor Augustus exiled Ovid to the shores of the Black Sea for "a poem and a mistake." Whatever the mistake may have been, the poem was certainly the Ars Amatoria, which the emperor found a bit too immoral.
In exile, Ovid composed Sad Things (Tristia), which included a defense of his life and work as brilliant and cheeky as his controversial love manuals. In a poem addressed to Augustus (Tristia 2), he argues, "Since all of life and literature is one long, steamy sex story, why single poor Ovid out?" While seemingly groveling at the emperor's feet, he creates an image of Augustus as capricious tyrant and himself as suffering artist that wins over every reader (except the one to whom it was addressed).
Bringing together translations of the Ars Amatoria, Remedia Amoris, and Tristia 2, Julia Dyson Hejduk's The Offense of Love is the first book to include both the offense and the defense of Ovid's amatory work in a single volume. Hejduk's elegant and accurate translations, helpful notes, and comprehensive introduction will guide readers through Ovid's wickedly witty poetic tour of the literature, mythology, topography, religion, politics, and (of course) sexuality of ancient Rome.
Finalist, National Translation Award, American Literary Translators Association
A Choice Outstanding Academic Book"

About this title

From the Back Cover:

Mingling God and Mammon, piety and polemics, and prescriptions for this world and the next, modern Americans have created a culture of print that is vibrantly religious. From America’s beginnings, the printed word has played a central role in articulating, propagating, defending, critiquing, and sometimes attacking religious belief. In the last two centuries the United States has become both the leading producer and consumer of print and one of the most identifiably religious nations on earth. Print in every form has helped religious groups come to grips with modernity as they construct their identities. In turn, publishers have profited by swelling their lists with spiritual advice books and scriptures formatted so as to attract every conceivable niche market.             Religion and the Culture of Print in Modern America explores how a variety of print media—religious tracts, newsletters, cartoons, pamphlets, self-help books, mass-market paperbacks, and editions of the Bible from the King James Version to contemporary “Bible-zines”—have shaped and been shaped by experiences of faith since the Civil War. Edited by Charles L. Cohen and Paul S. Boyer, whose comprehensive historical essays provide a broad overview to the topic, this book is the first on the history of religious print culture in modern America and a well-timed entry into the increasingly prominent contemporary debate over the role of religion in American public life. Within these essays are Jewish college students, medical missionaries, Mormon savants, the eccentric, and the mainstream, all of whom illuminate the manifold and sometimes surprising ways religious groups interact with the written word.             This volume invites readers to discover connections that are sometimes readily apparent, sometimes obscure, but always fascinating and informative.  

About the Author:

Charles L. Cohen is professor of history and religious studies and director of the Lubar Institute for the Study of the Abrahamic religions at the University of Wisconsin–Madison. He is the author of God’s Caress: The Psychology of Puritan Religious Experience. Paul S. Boyer is Merle Curti Professor of History Emeritus and former director of the Institute for Research in the Humanities at the University of Wisconsin–Madison. His many books include Purity in Print: Book Censorship in America from the Gilded Age to the Computer Age, also published by the University of Wisconsin Press; When Time Shall Be No More: Prophecy Belief in Modern American Culture; and Salem Possessed: The Social Origins of Witchcraft with Stephen Nissenbaum.

About this edition

• Publisher: University of Wisconsin Press
• Publication date: 2008
• ISBN 10: 0299225747
• ISBN 13: 9780299225742
• Binding: Paperback
• Edition number: 1
• Number of pages: 392
• Editor: Cohen Charles L., Boyer Paul S.