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Book Description Condition: Good. First Edition. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP77491671
Book Description Condition: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP77491671
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Dustwrapper slightly browned and worn at edges. Seller Inventory # c345136
Book Description Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0300033567. Seller Inventory # 9742508
Book Description Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0300033567. Seller Inventory # 9963359
Book Description Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0300033567. Seller Inventory # 8664384
Book Description Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Study of the theories of de Piles (1635-1709), "the most influential French art critic before Diderot" whose ideas remained popular with artists through the eighteenth century; he was "primarily concerned with liberating the theory of painting from the dominance of [the French Academy's] literary theory", believing that the visual impact of an artwork should be superior to the 'meaning' of its subject matter. Hardcover in jacket, as pictured; the first printing, listing no later printings. Light wear to book; jacket shows minor creasing, mostly to the head of the spine. Text clean; xii, 144 pages; index, bibliography, 16 b/w plates (24 images). Size: Octavo. Seller Inventory # v0380
Book Description Hardcover. Condition: Very Good. No Jacket. 1st Edition. 144 pages including an index. Illustrated with plates. In Very Good condition. Some very small notations, mostly in pencil. Back of the jacket shows light moisture to the top. Back board shows the faintest of discoloration. No warpage or otehr blemishes. A clean, tight book in a dust jacket that is now protected in an archival Brodart. We pack all our books with care and ship in cardboard boxes. We accept all major credit cards and paypal. Additional photos emailed upon request. Seller Inventory # 01-01-12 Chuck
Book Description Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. xii, 144 pp; 24 illus. Original cloth. Near Fine, in near fine dust jacket. Seller Inventory # 21141
Book Description hardcover. Condition: Good. Good. book. Seller Inventory # ERICA79103000335673