This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studies--some devoted to a single artist and others dealing more broadly with artistic practice--the book explores and questions the widely held notion that the modern idea of the artist emerged in the later fifteenth and sixteenth centuries.
This is the second of six volumes in the series Art and Its Histories, created to accompany the Open University course by the same title.
Published in association with the Open University
.
"synopsis" may belong to another edition of this title.
Emma Barker is a lecturer in art history, Nick Webb is staff tutor in art history, and Kim Woods is associate lecturer in arts at the Open University.
"About this title" may belong to another edition of this title.
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Hardcover. Navy boards with gilt spine lettering. Glossy color illustrated dust jacket with black lettering. 260 pp. Color and BW illustrations. This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studies some devoted to a single artist and others dealing more broadly with artistic practice the authors explore and question the widely held notion that the later fifteenth and sixteenth centuries witnessed the emergence of the modern idea of the artist. -Amazon. VG/VG light curling to dj edges. Seller Inventory # 169556
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